Mary Ellen O'Connell, The Art of Law in the International Community, Cambridge University Press, May 2019

Ankita Malhotra
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Abstract

Professor Mary-Ellen O’Connell, in her new book, The Art of Law in the International Community, packs the tale of an extra-positive approach to law-making back at the centre of the stage. The book attempts to consider the of the community to explain the rise of two pillars of contemporary international law, namely the legal regulation of the use of force and the rules (or more precisely the meta-rules) on jus cogens. The book shifts steadily towards the intersection between natural law, jus cogens, and the ban of unilateral use of force. Methodologically speaking, the two regimes intersect since both are off springs of the UN Charter and the 1969 Vienna Convention. Perhaps not in the same trend of state practice, both principles formulate the general principle of international law. In sum, they add a small group of rules which feature the new world order in the aftermath of World War II.
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玛丽·艾伦·奥康奈尔,《国际社会中的法律艺术》,剑桥大学出版社,2019年5月
玛丽-艾伦·奥康奈尔教授在她的新书《国际社会中的法律艺术》中,讲述了一个在舞台中央制定法律的额外积极方法的故事。本书试图从共同体的角度来解释当代国际法两大支柱的兴起,即对武力使用的法律规制和关于强制法的规则(或更准确地说,是元规则)。这本书逐渐转向自然法、强制法和禁止单方面使用武力之间的交叉点。从方法上讲,这两种制度是交叉的,因为它们都是《联合国宪章》和1969年《维也纳公约》的产物。也许在不同的国家实践趋势中,这两项原则都制定了国际法的一般原则。总之,它们增加了一小部分规则,以二战后的世界新秩序为特征。
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