Creative Writing and the Imagined Spaces of Imprisonment

L. Seal, M. O’Neill
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Abstract

This chapter discusses two creative writing projects with men in HM Prisons Lewes and Durham. It examines methodological issues associated with the relevance of space and setting to participatory arts (PA) research in prison, and the imaginative writing produced by participants. Memories, relationships, and the experience of ‘inside’ and ‘outside’ were all significant features of prisoners’ writing. This writing is read not simply as ‘research data’ but also as creative and cultural expression. The Lewes project involved using texts from the Mass Observation Archive as inspiration for prisoners’ poetry. Themes of creative writing, history and criminal justice are taken up in relation to the Durham project in which creative writing groups ‘inside’ and ‘outside’ Durham prison wrote ghost stories based on the prison and the history of crime and punishment in the city. These are explored in this chapter, along with a crime walk that was developed as part of the project, which serves as an example of public criminology.
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创意写作与监禁的想象空间
本章讨论了两个创造性的写作项目与男子在HM监狱刘易斯和达勒姆。它探讨了与监狱中空间和参与性艺术(PA)研究相关的方法问题,以及参与者产生的富有想象力的写作。记忆、关系以及“内在”和“外在”的经历都是囚犯写作的重要特征。这些文字不仅被视为“研究数据”,还被视为创造性和文化表达。刘易斯的项目涉及使用群众观察档案中的文本作为囚犯诗歌的灵感。创意写作、历史和刑事司法的主题与达勒姆项目有关,在这个项目中,创意写作小组“在”和“在”达勒姆监狱外写了基于监狱和城市犯罪和惩罚历史的鬼故事。本章将对这些问题进行探讨,同时还将讨论作为该项目一部分而开发的犯罪步行,这是公共犯罪学的一个例子。
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