Tradition and Modernity: Re-visiting the Changing Images in ManjuKapur’s A Married Woman

Nidhi Sharma
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Abstract

- Manju Kapur’s A Married Woman is a novel that displays a spectrum of diverse cultural, sexual and gender identities. The novel opens up spaces that are self-reflexive on the line of democratic incorporation of voices of those in the fringes. At the same time, it re-interrogates the lines of division that we draw in terms of mainstream and queer, us and them, male and female, and the personal and the public. In a way, it will not be wrong to assert that the present paper argues and endorses the declarations at the beginning that the protagonist envisions the embrace of lesbianism as a protest to the patriarchal values by exploring the history of unique gender expressions throughout the country.
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传统与现代:重新审视曼朱卡普尔《已婚妇女》中不断变化的形象
——曼朱·卡普尔的《已婚妇女》是一部展现多元文化、性和性别认同的小说。小说开辟了一个自我反思的空间,在民主的道路上融合了边缘人群的声音。与此同时,它重新审视了我们在主流和酷儿、我们和他们、男性和女性、个人和公众等方面划分的界限。在某种程度上,我们可以断言,本文论证并赞同开头的宣言,即主人公通过探索全国各地独特的性别表达的历史,将女同性恋的拥抱视为对父权价值观的抗议。
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