NEW FACE OF INDIAN WOMEN IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS

Jahirul Islam
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Abstract

This study explores the design of female portrayal and their journey from submissiveness to independence within the subjugation of male-dominated India which makes space for women and enables them to grow as new faces. It can be described as a new face of self-awareness for female characters that will ultimately facilitate their journey on the path to self-independence. The study scrutinizes the novel The God of Small Things (1997) through female characters who are curving emancipation in the realm of patriarchal oppression. Most Indian women face current risks stemming from traditional gender roles. The worst social and economic conditions for Indian women were described in this way by Arundhati Roy. As a divorced woman, the life of Ammu with her parents and brother was not comfortable, and they treated her and her children in an awful way.  Instead of these ill-treatments, some women desire to be emancipated from existing prejudiced social norms. The study forms a pragmatic combination with feminist theory that seeks to understand the response to the subjugated obstacle of patriarchal society posed by female characters. The protagonist expresses her anger and frustration at the difficulties they face in maintaining the boundaries of social space in which they can make limited progress. The study examines how the female characters eventually become emancipated by their self-consciousness and how female characters emerged as new icons in the subjugated patriarchal society.  
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印度女性在阿兰达蒂的新面孔罗伊是小事之神
本研究探讨了女性形象的设计以及她们在男性主导的印度的征服下从顺从到独立的旅程,这为女性创造了空间,使她们能够成长为新面孔。它可以被描述为女性角色自我意识的新面孔,最终将促进她们在自我独立的道路上的旅程。该研究通过在男权压迫的领域中弯曲解放的女性角色来审视小说《小事物之神》(1997)。大多数印度妇女目前面临着传统性别角色带来的风险。Arundhati Roy用这种方式描述了印度妇女最糟糕的社会和经济状况。作为一个离婚的女人,阿姆和她的父母和兄弟的生活并不舒服,他们对待她和她的孩子的方式很糟糕。一些妇女希望从现存的有偏见的社会规范中解放出来,而不是受到这些虐待。该研究与女性主义理论形成了实用主义的结合,试图理解女性角色对男权社会被征服障碍的反应。主人公表达了她的愤怒和沮丧,因为他们在维持社会空间的边界方面遇到了困难,他们只能取得有限的进步。研究考察了女性角色如何最终通过自我意识获得解放,以及女性角色如何在被征服的父权社会中成为新的偶像。
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