Per(sino)ficação

Fábio Dos Passos Carvalho, F. Schiavoni, João Teixeira
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Abstract

The bell’s culture is a secular tradition strongly linked to the religious and social activities of the old Brazilian’s villages. In São João del-Rei, where the singular bell tradition composes the soundscape of the city, the bell’s ringing created from different rhythmic and timbral patterns, establish a language capable of transmitting varied types of messages to the local population. In this way, the social function of these ringing, added to real or legendary facts related to the bell’s culture, were able to produce affections and to constitute a strong relation with the identity of the community. The link of this community with the bells, therefore transcends the man-object relationship, tending to an interpersonal relationship practically. Thus, to emphasize this connection in an artistic way, it is proposed the installation called: PER (SINO) FICAÇÂO. This consists of an environment where users would have their physical attributes collected through the use of computer vision. From the interlocking of these data with timbral attributes of the bells, visitors would be able to sound like these, through mapped bodily attributes capable of performing syntheses based on original samples of the bells. Thus the inverse sense of the personification of the bell is realized, producing the human “bellification”.
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钟的文化是一种世俗的传统,与古老的巴西村庄的宗教和社会活动密切相关。在 o jo o del-Rei,独特的钟声传统构成了城市的音景,钟声由不同的节奏和音色模式创造,建立了一种能够向当地居民传递各种信息的语言。通过这种方式,这些钟声的社会功能,加上与钟的文化有关的真实或传说的事实,能够产生情感,并与社区的身份构成强烈的关系。因此,这个社区与钟声的联系超越了人物关系,实际上趋向于人际关系。因此,为了以艺术的方式强调这种联系,我们提出了这个装置:PER (SINO) FICAÇÂO。这包括一个环境,用户可以通过使用计算机视觉收集他们的物理属性。从这些数据与钟声的音色属性的联锁中,游客将能够通过能够根据钟声的原始样本进行合成的映射的身体属性来发出这些声音。从而实现了钟的逆人格化意义,产生了人的“好战”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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