The Peacemaker

A. Kluge
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Abstract

This chapter looks at the dialogue between Die Zeit and Alexander Kluge wherein they talk about Kluge's book The Devil's Blind Spot (2004). The book is not really about the devil, but about the process of enlightenment. Kluge identifies two types of stories. One type points to absolutely nothing; they are monads. The others are maps. When stories are laid on top of each other like maps, cross-mapping occurs. Zeit and Kluge also discusses the concept of “antiliterature.” Kluge mentions that there is something lacking in literature today and there is too much of something else. When asked if he ever thinks retrospectively what God would have to do in order to save a person, he claimed that he leans more toward the belief that there is a God who does not look after humanity. Kluge then explains the reconciliation of poetry and science. Poetry is concentrated emotion. It can either tell a story or contain thoughts. As a lawyer, Kluge uses his reason; as a storyteller, he relies on the powers of his emotions.
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和平者
这一章着眼于时代周刊和亚历山大·克鲁格之间的对话,他们谈论克鲁格的书《魔鬼的盲点》(2004)。这本书并不是关于魔鬼的,而是关于启蒙的过程。克鲁格指出了两种类型的故事。一种类型完全不指向任何东西;它们是单子。其他的是地图。当故事像地图一样堆叠在一起时,就会出现交叉映射。Zeit和Kluge还讨论了“反文学”的概念。克鲁格提到,今天的文学缺少一些东西,而其他的东西太多了。当被问及他是否曾经回想过上帝为了拯救一个人必须做些什么时,他声称他更倾向于相信有一个不照顾人类的上帝。克鲁格接着解释了诗歌与科学的调和。诗是情感的浓缩。它既可以讲故事,也可以包含思想。作为一名律师,克鲁格运用他的理性;作为一个讲故事的人,他依靠情感的力量。
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