Phraseological units as text-forming factors in the genre of aphorism

E. I. Beglova
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Abstract

The article focuses on studying phraseological units (PUs) that serve as a text formation factor in the genre of apho-rism. These are mainly PUs which are the semantic core of the aphorism as a text of a minor speech genre. The aim of the article is to find out the features of using the PUs in the aphorism, which lead to generating a text small in size and deep in content, which is expressive, emotional and evaluative. First of all, the author defines the features of the aphorism as a text of a small speech genre, gives its definition and one of the classifications of aphorisms. As a result of studying the use of PUs in aphorisms, it was found that PUs often act as text-forming language units; there-fore, the genre of aphorism requires the addressant to have a high level of linguistic and communicative competence, erudition and a broad outlook. The article provides a semantic analysis of aphorisms containing PUs created by fa-mous philosophers, writers, satirists, selected by continuous sampling method from books and a collection of apho-risms. The article reveals the main ways of using PUs in aphorisms, when they are not only the main semantic component but also a text-forming factor: preserving the linguistic (dictionary) form as a unit of language and the semantic unit of an aphorism; de-metaphorizing the meaning of PUs; expanding the component structure of PUs; clipping (narrowing) the component structure of PUs; using two or more PUs within one aphorism; breaking a PU and presenting its compo-nents part by part within one aphorism; changing the grammatical form of a PU component, for example, changing its part-of-speech, etc. It has been proved that in order to understand the meaning of some PUs serving as a semantic component of aphorisms, it is necessary to know their etymology. It applies to bookish PUs originating in mythology, ancient philosophy and history. It is confirmed that aphorisms as texts of small speech genre require a high level of linguistic, cultural, historical, literary and communicative competence not only from the addressant, but also from the addressee to understand its deep meaning correctly.
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短语单位在格言体裁中的语篇构成因素
本文主要研究在警句体裁中作为语篇构成因素的短语单元。这些主要是谓语,它们是格言作为一种次要言语体裁的语篇的语义核心。本文的目的是找出在警句中使用pu的特点,从而产生一个小而深的文本,表达,情感和评价。首先,作者界定了警句作为一种小话语体裁的特征,给出了警句的定义和警句的分类之一。通过对警句中谓语使用的研究,发现谓语经常作为语篇形成的语言单位;因此,警句体裁要求讲话者具有较高的语言和交际能力、博学和广阔的视野。本文采用连续抽样的方法,对著名哲学家、作家、讽刺作家的名言警句进行了语义分析。短句来源本文揭示了在警句中,谓语既是主要的语义成分,又是构成篇章的因素时,使用谓语的主要方法:保留作为语言单位和警句语义单位的语言(词典)形式;去隐喻化pu的意义;扩展了pu的组件结构;裁剪(缩小)pu的组成结构;在一句格言中使用两个或两个以上的动词;把一个PU拆开,用一句格言把它的组成部分一一呈现出来;改变PU成分的语法形式,例如改变其词性等。事实证明,为了理解作为警句语义组成部分的一些词语的意义,有必要了解它们的词源。它适用于起源于神话、古代哲学和历史的书卷气的pu。研究表明,警句作为一种小语体语篇,要正确理解警句的深层含义,不仅要求说话者,而且要求被说话者具备较高的语言、文化、历史、文学和交际能力。
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