{"title":"Channelling the ecstasy of Hildegard von Bingen: \"O'Euchari\" remixed","authors":"Lisa Colton","doi":"10.5920/beyondairports.07","DOIUrl":null,"url":null,"abstract":"Abbess Hildegard von Bingen (1098–1179) became an unexpected cult figure in the final decades of the twentieth century, when her life and work were used as the stimulus for numerous cultural products, from imagined autobiographies to film. Her adoption as a quasifeatured artist by creators of electronic dance music (EDM) was surprisingly commercially successful, chiming with Michael Embach’s view that:","PeriodicalId":384067,"journal":{"name":"Music Beyond Airports - appraising ambient music","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Beyond Airports - appraising ambient music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5920/beyondairports.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abbess Hildegard von Bingen (1098–1179) became an unexpected cult figure in the final decades of the twentieth century, when her life and work were used as the stimulus for numerous cultural products, from imagined autobiographies to film. Her adoption as a quasifeatured artist by creators of electronic dance music (EDM) was surprisingly commercially successful, chiming with Michael Embach’s view that:
希尔德加德·冯·宾根修道院院长(Hildegard von Bingen, 1098-1179)在20世纪的最后几十年出人意料地成为了一个受人崇拜的人物，当时她的生活和工作被用作许多文化产品的灵感来源，从虚构的自传到电影。她被电子舞曲(EDM)的创作者视为准特色艺术家，在商业上取得了惊人的成功，这与迈克尔·恩巴赫的观点不谋而合:
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