{"title":"Making The Trouble with Love and Sex","authors":"J. Hodgson","doi":"10.3366/edinburgh/9780748694112.003.0012","DOIUrl":null,"url":null,"abstract":"This chapter is an autobiographical and critically reflective account of both the making and reception of the first full-length animated documentary made for British television, The Trouble with Love and Sex (2011). The chapter is written by the film’s director, Jonathan Hodgson. The chapter discusses Hodgson’s pre-production concerns regarding animation’s capacity to effectively and engagingly convey subtle nuances of body language on display within emotionally and psychologically complex and challenging spaces (the counselling rooms of Relate, a professional marriage guidance service). The chapter also discusses the highly positive audience response to the finished work, arguing that animated documentary aesthetics and form in fact allowed for notably non-prejudicial, non-judgemental forms of audience engagement with the film’s protagonists. The chapter also discusses at length the pre-production, production, and post-production methodology employed Hodgson and his key collaborators during the making of their film.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"83 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Drawn from Life","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9780748694112.003.0012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter is an autobiographical and critically reflective account of both the making and reception of the first full-length animated documentary made for British television, The Trouble with Love and Sex (2011). The chapter is written by the film’s director, Jonathan Hodgson. The chapter discusses Hodgson’s pre-production concerns regarding animation’s capacity to effectively and engagingly convey subtle nuances of body language on display within emotionally and psychologically complex and challenging spaces (the counselling rooms of Relate, a professional marriage guidance service). The chapter also discusses the highly positive audience response to the finished work, arguing that animated documentary aesthetics and form in fact allowed for notably non-prejudicial, non-judgemental forms of audience engagement with the film’s protagonists. The chapter also discusses at length the pre-production, production, and post-production methodology employed Hodgson and his key collaborators during the making of their film.