Rethinking Repatriation and Curation in Newfoundland

B. Diamond, Janice Esther Tulk
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Abstract

Since 2004, “Back on Track” has been produced by the Research Centre for Music, Media, and Place at Memorial University, partly in response to public requests for access to the university’s archival collections. It aims to recover historically and culturally significant documents for public use; augment cultural content in the schools; promote and disseminate the culture of the province and beyond to local, national, and international audiences; stimulate new artistic work that builds on earlier traditions; and contribute to policy development relating to cultural diversity. This chapter considers processes of collaboration, strategies of representation, and the construction of present and future relationships to the past through music. Specifically in relation to Indigenous content in the series, the chapter demonstrates how curated collections, when produced in collaboration with communities and individuals, not only repatriate audio recordings, but also amplify local histories and both personal and collective memories.
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重新思考纽芬兰的归还与策展
自2004年以来,“重回正轨”由纪念大学音乐、媒体和地方研究中心制作,部分是为了回应公众对大学档案收藏的访问请求。它旨在恢复具有历史和文化意义的文件供公众使用;增加学校的文化内容;向本地、全国及国际观众推广及传播本省及其他地区的文化;鼓励建立在早期传统基础上的新艺术作品;并为制定与文化多样性有关的政策作出贡献。这一章考虑了合作的过程,表现的策略,以及通过音乐构建现在和未来与过去的关系。具体到该系列中的土著内容,本章展示了与社区和个人合作制作的精选馆藏如何不仅能将录音带回国内,还能放大当地历史以及个人和集体的记忆。
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