History, Naming and Intellectualism in the #FeesMustFall Protests

Abstract

The show entitled Finding Me explores identities in cosmopolitan societies and interrogates through conversation, the wicked questions of our times. participant and activist in the #FeesMustFall student protests the is about animals and the environment and takes care of stray and feral cats. ABSTRACT This paper considers the black student as an emerging representative of the public intellectual’s confrontation with history, institutional culture and language in the #FMF student protests. It pursues the manifestation of this confrontation through an analysis of specific episodes of articulation and events where the student as public intellectual encounters an academia that is incapable of comprehending or conceptualizing their demands. The protests animated the emerging black student public intellectual’s projection into being and their confrontation with history, violence and academia. This paper examines the collaboration between the state and university as mechanisms of control to preserve the system and structure of neo-apartheid in a post-1994 South African society. I argue that the fixation with subjective violence, detracted from the greater, yet hidden narrative—that of the possibility of violence as ubiquitous in human social relations. Violence is also used to negate power. In confronting a powerful racist history and systems of racism, the #Fallists reference to the on-going complex levels of violence lived as a reality by black South Africans, could be understood as a form of social power to unchain the forced consensus that has been perpetuated around black violence and black ineptitude.