The Refugee, an Anguish of Million

Mallam Naveen
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Abstract

"The partition of India left a dark and ineradicable mark in the history of India, which created painful anguish among millions of people, especially in Bengal and Punjab. The sea change about the independence of India made an inexplicable turn of events in the annals of history. The spirit of brotherhood and the generation of human values collapsed suddenly with the advent of independence in the country. This socio-political aspect touched upon the playwright Asif Currimbhoy in making the play The Refugee. Currimbhoy tried to generate compassion through human suffering in and around Bengal, especially in Calcutta. The present play, The Refugee, draws the parallel between Yassin, the young refugee from East Pakistan, and Sen Gupta, a refugee to India from East Pakistan many years earlier. In the beginning, Yassin is cloudy and undecipherable with his indecisive acts towards the cause. On the other hand, Sen Gupta crossed borders many years earlier as a refugee, and he is now well settled in India with his friendly attitude and hardworking nature. Surprisingly, both are at present unperturbed towards the worsened situation of millions of refugees, who are in the camps and outside of the house of Sen Gupta and who need to be addressed by the concern. This play is about the anguish of millions of refugees. It is an act of resolution of dilemma in irony about the influx of refugees growing in number."
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难民,百万人的痛苦
“印度的分治在印度历史上留下了黑暗和不可磨灭的印记,给数百万人,特别是孟加拉和旁遮普邦的人带来了痛苦的痛苦。印度独立的巨大变化在历史编年史上造成了令人费解的转折。随着国家独立的到来,兄弟情谊的精神和人类价值的产生突然崩溃了。剧作家Asif currimhoy在创作《难民》(the Refugee)时触及了这一社会政治层面。currimhoy试图通过孟加拉及其周边地区,特别是加尔各答的人们的苦难来产生同情心。目前的戏剧《难民》(The Refugee)描绘了来自东巴基斯坦的年轻难民亚辛(Yassin)和多年前从东巴基斯坦逃往印度的难民森·古普塔(Sen Gupta)之间的平行关系。一开始,亚辛对事业的优柔寡断行为是模糊的和不可理解的。另一方面,森古普塔多年前作为难民越过边界,现在他以友好的态度和勤奋的本性在印度定居下来。令人惊讶的是,双方目前对在难民营和森古普塔家外的数百万难民的恶化情况无动于衷,他们需要得到关切的处理。这出戏是关于数百万难民的痛苦。这是一种解决困境的行为,讽刺的是难民涌入的数量越来越多。”
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