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Nature and Childhood in Ruskin Bond’s Short Stories 罗斯金-邦德短篇小说中的自然与童年
Pub Date : 2023-11-25 DOI: 10.56062/gtrs.2023.2.08.445
Himanshu Kumar
Ruskin Bond, an eminent Indian author, is lauded for his ability to exquisitely capture the spirit of nature and the naivety of childhood in his literary creations. His short stories portray the deep influence of nature on the lives and experiences of his child protagonists. Romantic poets such as William Wordsworth and William Blake envisaged an intimate connection between nature and childhood. Wordsworth portrays nature as a comforting retreat offering relief and revitalisation where childhood innocence is idealised. On the other hand, Blake juxtaposes childhood innocence with the grim realities of life, often using nature as a symbol for these opposing states. Bond's stories delve into the importance of nature by highlighting how various aspects of the world serve as a setting for his characters’ escapades. They explore how the distinct flora and fauna found in the Himalayan region play a significant role in shaping the characters’ perceptions and choices throughout their journeys. In addition, they focus on Bond’s portrayal of childhood, emphasising traits such as callowness, fortitude, and inquisitiveness exhibited by his characters. This paper examines how the young characters in Bond’s stories manoeuvre through the challenges of a fast-changing world and find comfort and knowledge through their interactions with nature. His storytelling not only encases the innocent and delightful aspects of childhood but also delivers a powerful message about the environment. It encourages readers to value, protect, and peacefully coexist with nature.
印度著名作家罗斯金-邦德(Ruskin Bond)因能在文学创作中细腻地捕捉大自然的精神和童年的天真而备受赞誉。他的短篇小说描绘了大自然对主人公童年生活和经历的深刻影响。威廉-华兹华斯和威廉-布莱克等浪漫主义诗人设想了自然与童年之间的亲密联系。华兹华斯将大自然描绘成一个舒适的世外桃源,为人们提供解脱和新生的机会,童年的纯真被理想化。另一方面,布莱克将童年的纯真与严峻的现实生活并置,经常使用大自然作为这些对立状态的象征。邦德的故事深入探讨了大自然的重要性,强调了世界的各个方面是如何为他笔下的人物的逸事提供背景的。这些作品探讨了喜马拉雅地区独特的动植物如何在整个旅程中塑造人物的观念和选择。此外,他们还关注邦德对童年的描绘,强调其笔下人物所表现出的冷酷、坚毅和好奇等特质。本文探讨了邦德故事中的小主人公如何在瞬息万变的世界中应对挑战,并通过与大自然的互动找到慰藉和知识。他的故事不仅展现了童年天真愉悦的一面,还传递了有关环境的强大信息。它鼓励读者珍惜、保护大自然,与大自然和平共处。
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引用次数: 0
Octavia Butler’s Parable of the Sower as the Pyro Epidemic Novel 奥克塔维亚-巴特勒(Octavia Butler)的《播种者的寓言》作为火热流行病小说
Pub Date : 2023-11-25 DOI: 10.56062/gtrs.2023.2.08.444
S. Lavanya
Drug addiction is one of the major social evils. A large number of people, irrespective of their age are falling prey to drugs because of various factors. Many works have been written on the substance abuse and their resultant crimes. The Crack Epidemic of the United States remains one of the major incidents related to drug consumption and addiction in the nation’s history. Octavia Estelle Butler’s novel Parable of the Sower deals with drug addiction as one of its sub-themes in the future Earth. Parable of the Sower is widely acknowledged because of its relevance in today’s time. Butler presents a dystopic future where environmental and climactic changes wreak havoc in the lives of people. In addition to this, the humans butcher each other because of the addiction of pyro drug, which makes them enjoy fire literally. The aim of this paper is to analyze Butler’s Parable of the Sower as the pyro epidemic novel, which highly resembles the crack epidemic of the United States in the later part of the twentieth century.
吸毒成瘾是主要的社会弊端之一。由于各种因素的影响,很多人,无论年龄大小,都成为了毒品的牺牲品。关于药物滥用及其导致的犯罪,已经有许多著作。美国的 "快克流行病 "仍然是美国历史上与毒品消费和成瘾有关的重大事件之一。奥克塔维亚-埃斯特尔-巴特勒(Octavia Estelle Butler)的小说《撒种的寓言》(Parable of the Sower)将吸毒成瘾作为未来地球的副主题之一。撒种的寓言》因其在当今时代的现实意义而广为人知。巴特勒在书中描绘了一个末世未来,环境和气候的变化给人们的生活带来了巨大的破坏。除此之外,人类还因为沉迷于火药而互相残杀,这让他们从字面上享受火的乐趣。本文旨在分析巴特勒的《播种者的寓言》这本火药流行病小说,它与二十世纪后期美国的快克流行病高度相似。
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引用次数: 0
Introspecting The Life of Tribal Women in Mahasweta Devi’s Rudali and The Hunt 从 Mahasweta Devi 的《Rudali》和《狩猎》中反思部落妇女的生活
Pub Date : 2023-11-25 DOI: 10.56062/gtrs.2023.2.08.446
Shubhi Bhasin, Pallavi Srivastava
ABSTRACT Mahasweta Devi is a distinguished Indian writer and an esteemed activist who worked hard to uplift the tribal communities. She has a deep knowledge of the socio-political condition of India. She is an iconoclast who, in her works focussed on the miserable condition of depressed and neglected classes and tribes. Her different stories and novels shower light on the day to day happenings in the interiors of our nation. She has also talked about the quest for equal rights for each and every individual, especially for females in terms of education, health facilities, employment opportunities and social well-being. The present paper discusses “’Rudali’ and ‘The Hunt’” in the light of atrocities done to the women in their tribes and the racist response given to them. Mahasweta Devi has portrayed the protagonists Sanichari and Mary Oraon, as the representatives of modern women searching for their own identity in the modern society. She presents the pitiable and pathetic condition of tribal women with their sorrows and sufferings and, more importantly, their infuriated inner self, which worked constructively to bring them to the level of mainstream individuals by injecting the sense of respect and appreciation for them.
ABSTRACT Mahasweta Devi 是一位杰出的印度作家,也是一位受人尊敬的活动家,她为提高部落社区的地位付出了艰辛的努力。她对印度的社会政治状况有着深刻的了解。她是一位偶像破坏者,在她的作品中,她重点描写了被忽视的贫困阶层和部落的悲惨状况。她的各种故事和小说揭示了我国内陆地区的日常情况。她还谈到了对每个人平等权利的追求,尤其是女性在教育、医疗设施、就业机会和社会福利方面的平等权利。本文从妇女在部落中遭受的暴行以及种族主义者对她们的反应出发,讨论了"'鲁达利'和'狩猎'"。Mahasweta Devi 将主人公 Sanichari 和 Mary Oraon 塑造成在现代社会中寻找自我的现代女性的代表。她展现了部落妇女悲惨可怜的境况,以及她们的辛酸和苦难,更重要的是,她们被激怒的内心,通过为她们注入尊重和欣赏的意识,建设性地将她们带到主流个人的水平。
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引用次数: 0
A Note on Feminism and Post-Modernism 关于女权主义和后现代主义的说明
Pub Date : 2023-11-25 DOI: 10.56062/gtrs.2023.2.08.449
P. D. Satyapaul Kumar, P. Rajendra Karmarkar
The Western hemisphere's physical and cultural ambience of the past four decades was the stage for the emergence of feminism and post-modernism. A study of the contrasts, similarities and interrelations, various artistic forms and media of expression render a vivid diversity and widespread popularity to these two isms- hence the apt title to this article should be – “A Note on Feminism and Post-modernism”. Recognizing and rejecting the flourishing undercurrent of unitary and biased, fictitious notions and extracting the different lifestyles, values, thoughts and history of another kind that are overshadowed by the rational logic, tradition, culture, and history of age old male chauvinistic perspectives; and accepting and encouraging the natural plurality in the existence and expression of human beings- if these are considered to be the general characteristics of feminisms, then post-modernism and feminism ought to be allies. But we find this connection very complex when we observe the changes in feminisms caused by the influence of post-modernism.
过去四十年间,西半球的物质和文化环境为女权主义和后现代主义的出现提供了舞台。通过对这两种主义的对比、相似性和相互关系的研究,各种艺术形式和表现媒介呈现出生动的多样性和广泛的流行性--因此,本文的标题应为 "女性主义和后现代主义注解"。承认并摒弃单一的、偏颇的、虚构的观念的暗流涌动,汲取被理性逻辑、传统、文化和历史上古老的男性沙文主义观点所遮蔽的另一种不同的生活方式、价值观、思想和历史;接受并鼓励人类存在和表达的自然多元性--如果这些被认为是女性主义的一般特征,那么后现代主义和女性主义应该是盟友。但是,当我们观察后现代主义影响下女性主义的变化时,我们会发现这种联系非常复杂。
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引用次数: 0
The Usage of Technical Presentations and Professional Speaking in Educational and Corporate Sectors 技术演讲和专业演讲在教育和企业领域的应用
Pub Date : 2023-11-25 DOI: 10.56062/gtrs.2023.2.08.447
Kamalakar Baburao Gaikwad
Today’s instructive system has become more amenable to assortment and a much wider range of interests and capabilities. In today’s world, we observe that a ground-breaking and techno-savvy audience is coming into view that is technological in academic accomplishments. These audiences anticipate that the speeches delivered by the speakers should be appealing, interactive, reachable and engaging. It is the technology that draws more attention to the presenter as well as spectators. In this globalized world, new kind of presenters and presentations are conveyed through podium speeches. These presenters such as CEO’s, politicians, priests, University Professors, Sales representatives etc., deliver presentations in inventive ways.  Presenters are expected to employ visual aids and to offer handouts to the audience.  The pioneering presenter always connects with the audience during speaking and leaves a long-lasting impact on them. At the same time, the audience takes hold of the information demonstrated on the screen. In this manner, technical presenters endow with technical proficiency through their resourceful presentation. In this research article, the researcher would like to acquaint the major traits of a capable and trustworthy presenter has focused on several characteristics of technical presentation and professional speaking. He has talked about the several presentation-based facts such as definition, features, significance, goals, types, classification, configuration, mechanism, planning and delivery of the presentation, preparing and making presentation, use of audio-visual aids, the groundwork of PowerPoint slides and transparencies, guiding principles and verbal communication for effective presentation etc.
今天的教学系统已变得更加适合各种不同的兴趣和能力。在当今世界,我们注意到,一个具有开创性、精通技术的受众群体正在出现,他们在学术成就上具有科技含量。这些受众希望演讲者的演讲具有吸引力、互动性、可及性和参与性。正是技术吸引了演讲者和观众的更多关注。在这个全球化的世界里,新型的演讲者和演讲内容都是通过讲台演讲来传达的。这些演讲者,如首席执行官、政治家、牧师、大学教授、销售代表等,以别出心裁的方式进行演讲。 演讲者要使用直观教具,并向听众提供讲义。 开创性的演讲者总是能在演讲过程中与听众产生共鸣,并给他们留下持久的影响。与此同时,听众也能掌握屏幕上展示的信息。通过这种方式,技术演讲者通过其机智的演讲赋予了技术能力。在这篇研究文章中,研究人员希望了解有能力、值得信赖的主持人的主要特征,并重点介绍了技术演示和专业演讲的几个特点。他谈到了几个基于演示的事实,如定义、特点、意义、目标、类型、分类、配置、机制、演示的计划和实施、准备和制作演示、视听辅助工具的使用、PowerPoint 幻灯片和透明胶片的基础工作、指导原则和有效演示的口头交流等。
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引用次数: 0
Enunciating Transition in Indian Civilization: An Analysis of Disability in Ancient Indian Texts 印度文明中的过渡:古印度文本中的残疾分析
Pub Date : 2023-07-25 DOI: 10.56062/gtrs.2023.2.04.337
Yashi Bajpai
This paper attempts to re-evaluate and reconsider the portrayal of disability by analysing the philosophy of inclusivity in ancient Indian culture through a close reading of the Ancient Indian Texts. Although it is preordained that disability has been regarded as a sin or an outlaw in Indian society, from a vigilant standpoint, it appears to be incomprehensible. This is more of a socio-temporal change that resulted from colonialism. The epics like the Mahabharata, Ramayana, and Rig Veda have given space and strength to various disabled personalities, demonstrating the specifics that represent a narrative change in the contemporary era. The themes of unity in diversity, cooperation, friendship, harmony, and power show that disabled characters have played a critical role in their unrivalled capability. The attitude of cooperation during hard times has been inbuilt in Indians, which is depicted through multiculturism. Ultimately, the positive behaviour of society can be accentuated by a proper understanding of the epics and Vedas, which will help curb the stigma around disability.
本文试图通过细读古印度文本,分析古印度文化中的包容性哲学,从而重新评估和思考对残疾的描述。虽然残疾在印度社会中被视为一种罪恶或不法,但从警惕的角度来看,这似乎是不可理解的。这更像是殖民主义带来的社会时代变化。摩诃婆罗多》、《罗摩衍那》和《梨俱吠陀》等史诗赋予了各种残疾人物以空间和力量,展示了代表当代叙事变革的具体内容。多样性中的统一、合作、友谊、和谐和力量等主题表明,残疾人物在其无与伦比的能力中发挥了至关重要的作用。印度人在困难时期的合作态度是与生俱来的,这一点通过多元文化主义得以体现。最终,通过正确理解史诗和吠陀经,社会的积极行为将更加突出,这将有助于遏制围绕残疾的污名化。
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引用次数: 0
Feminist Semiotics of Advertising Media Texts 广告媒体文本的女性主义符号学
Pub Date : 2023-07-25 DOI: 10.56062/gtrs.2023.2.04.341
Vilas Rupnath Buwa
Semiotics is emerged a major theoretical and analytical approach in the media-driven era of 21st century. In the history of human evolution, use and analysis of signs to communicate have the utmost importance. Before verbal and written linguistic discourse, the use of signs remains in human communication. Semiotics is thought to be a structural and linguistic approach but as Saussure has asserted that semiotics is broad, inclusive and comprehensive in nature and scope, while linguistics is a part of it. Modern media is scientifically and technologically more enhanced and inclusive of various signs through technological gadgets. McLuhan regards ‘media is message’. Like language in literature, various audio-visual and graphic signs are employed for effective expression in media texts. Language is a ‘sign system’ of human communication which is mainly androcentric and needs to be challenged and explored through a feminist perspective. The idea is to study semiotics in feminist context i.e. to be regarded as ‘feminist semiotics. The emergence of the feministic approach changed perception in every field of life and brought various possible interpretations. As the signs employed in media texts mainly androcentric, the feminist semiotics attempts to expose and deconstruct them. Advertisements especially, consumer ads either in print or in electronic media are published having the notion of ‘art for market’s sake’ or ‘art for profit’s sake’ which need to be considered and analyzed as ‘media text’. In this research article, efforts are made to explore and blend feminist contextual approach with semiotics to analyze advertising texts. There is a multitude of audio-visual and electronic driven gadgets in the present digital world therefore, it needs to be interpreted from feminist semiotic perspective.
在 21 世纪媒体驱动的时代,符号学正在成为一种重要的理论和分析方法。在人类进化史上,使用和分析符号进行交流具有极其重要的意义。在口头和书面语言话语之前,符号的使用在人类交流中一直存在。符号学被认为是一种结构和语言学方法,但正如索绪尔所断言的,符号学在性质和范围上具有广泛性、包容性和综合性,而语言学则是符号学的一部分。现代媒体在科学和技术上得到了进一步的提升,并通过技术小工具将各种符号囊括其中。麦克卢汉认为 "媒体即信息"。与文学中的语言一样,媒体文本中也运用了各种视听符号和图形符号来进行有效表达。语言是人类交流的 "符号系统",它主要是以男性为中心的,需要通过女性主义视角加以挑战和探索。我们的想法是在女性主义背景下研究符号学,即被视为 "女性主义符号学"。女性主义方法的出现改变了生活中各个领域的观念,并带来了各种可能的解释。由于媒体文本中使用的符号主要是男性中心主义的,因此女性主义符号学试图揭露和解构这些符号。广告,尤其是平面媒体或电子媒体上的消费广告,都是以 "为市场而艺术 "或 "为利润而艺术 "的理念发布的,需要将其视为 "媒体文本 "加以思考和分析。在这篇研究文章中,我们努力探索并融合女性主义语境方法和符号学来分析广告文本。在当今的数字世界中,存在着大量视听和电子驱动的小工具,因此需要从女性主义符号学的角度对其进行解读。
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引用次数: 0
A Feminist Analysis of the Changing Roles of Women in Chinua Achebe’s Things Fall Apart and Anthills of the Savannah 对奇努瓦-阿契贝《分崩离析》和《大草原上的蚁丘》中女性角色变化的女性主义分析
Pub Date : 2023-07-25 DOI: 10.56062/gtrs.2023.2.04.340
Durgesh Ravande, Prashant Takey
Chinua Achebe is one of the pioneering figures of African Fiction. In his several critical essays and interviews Achebe has discussed the role of an author belonging to a postcolonial country, and declared that he writes his fiction with a definite role. He has penned five novels including his masterpiece Things Fall Apart (1958) in which Achebe, with his realism, has taken up the task of telling his people the greatness and weaknesses of their Ibo culture. Here, the object of his criticism is the colonizer British exercising power under the guise of a civilizing mission. On the other hand, in one of his most discussed novels Anthills of the Savannah (1987) he takes the role of a conscience builder in a new nation engulfed in cutthroat power politics; and the object of his criticism shifts to his own people, the corrupt educated elite and military officials who have failed to contribute in nation building. However, the role of women in Nigerian society is also one of the prominent issues depicted significantly in both these celebrated novels. The paper focuses on a feminist analysis of these novels with the aim to find out the changing roles of women in Nigerian society depicted in these novels. It takes recourse to the method of explication and close reading of these primary texts and the secondary data in the light of Feminist Criticism.
Chinua Achebe 是非洲小说的先驱人物之一。在多篇评论文章和访谈中,阿契贝讨论了属于后殖民国家的作家的角色,并宣称他的小说创作具有明确的角色定位。他共创作了五部小说,其中包括代表作《分崩离析》(Things Fall Apart,1958 年),在这部小说中,阿切贝以现实主义的手法,向他的人民讲述了伊博文化的伟大和弱点。在这里,他批判的对象是以文明使命为幌子行使权力的殖民者英国。另一方面,在他最受关注的小说之一《大草原上的蚁丘》(Anthills of the Savannah,1987 年)中,他扮演了一个新国家良知建设者的角色,而这个国家正陷入残酷的强权政治之中;他批评的对象转向了自己的人民,腐败的教育精英和未能为国家建设做出贡献的军官。然而,妇女在尼日利亚社会中的角色也是这两部著名小说中着重描写的突出问题之一。本文重点对这些小说进行了女性主义分析,旨在找出这些小说中描写的尼日利亚社会中女性角色的变化。论文采用了阐释和细读的方法,并根据女权主义批评对这些主要文本和二手资料进行了分析。
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引用次数: 0
Reading Harimohan Jha’s The Bride, translated by Lalit Kumar: A Masterly Appraisal in Shared Pragmatism 阅读哈里莫汉-贾的《新娘》,拉利特-库马尔译:共享实用主义的精湛评价
Pub Date : 2023-07-25 DOI: 10.56062/gtrs.2023.2.04.339
Nandini Sahu
Most people believe that translation entails creating a copy of the original. However, as no two pieces of art can be exact replicas of one another, this is rarely the intended outcome. However, translation allows the translator to serve as a link between two communities, two languages, two cultures, and, ultimately, two worldviews. It allows the translator to invent something altogether new in that way. The translation is also a freeing activity since it does not entail reconstructing lexicon after lexicon. It gives the translator a great deal of freedom. When exercising such liberty, chapter names may be introduced in places where they are absent. These interventions may also result in changing the title or the addition of the proper references, as well as the repair of typographical mistakes and revisions to the narrative flows and chronology. In other words, the translator is given the 'authority' to represent two different cultures as an ambassador. This is precisely the situation with Lalit Kumar's expertly translated novel, The Bride, which was released by Harper Perennial.
大多数人认为,翻译就是复制原作。然而,由于没有两件艺术品可以完全复制,这很少是预期的结果。然而,翻译可以让译者成为两个社群、两种语言、两种文化以及最终两种世界观之间的纽带。这样,译者就可以创造出全新的东西。翻译也是一项自由的活动,因为它不需要重新构建一个又一个词汇。这给了译者极大的自由。在行使这种自由时,可能会在没有章节名称的地方引入章节名称。这些干预还可能导致更改标题或添加适当的参考文献,以及修复排印错误和修改叙事流程和时间顺序。换句话说,译者被赋予了作为大使代表两种不同文化的 "权力"。拉利特-库马尔(Lalit Kumar)的小说《新娘》(The Bride)正是这种情况,该书由哈珀常春出版社(Harper Perennial)出版发行。
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引用次数: 0
Economy of Love as Manifested in William Shakespeare’s King Lear and The Merchant of Venice 威廉-莎士比亚的《李尔王》和《威尼斯商人》中体现的爱情经济学
Pub Date : 2023-07-25 DOI: 10.56062/gtrs.2023.2.04.338
Amrita Bhattacharyya
This paper tries to make a study of William Shakespeare’s above plays with reference to his contemporary period’s views on money and love. Economy is inadvertently linked with love as we find during the time of Shakespeare. Two of the most important plays of Shakespeare – King Lear (1606) and The Merchant of Venice (1596-1598) shows how love is tested by economic considerations and how relationships get complicated when the two collide with each other. Market economics of the public sphere questions the love of the private sphere. Here love is equated to lust. This acquisitiveness is characteristic of the Elizabethan and Jacobean age with commerce and trade flourishing and the age itself being termed as the Golden Age. Gender roles are redefined in such a mercantile situation and the place of women in such society become endangered.
本文试图通过对威廉-莎士比亚上述戏剧的研究,来探讨他所处的那个时代对金钱和爱情的看法。在莎士比亚时代,我们不经意间发现经济与爱情联系在一起。莎士比亚最重要的两部剧作--《李尔王》(1606 年)和《威尼斯商人》(1596-1598 年)--展示了爱情如何受到经济因素的考验,以及当两者相互碰撞时关系如何变得复杂。公共领域的市场经济质疑私人领域的爱情。在这里,爱情等同于欲望。这种获取性是伊丽莎白时代和雅各布时代的特征,商业和贸易蓬勃发展,这个时代本身也被称为黄金时代。在这样一个重商的时代,性别角色被重新定义,女性在这样的社会中的地位岌岌可危。
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引用次数: 0
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Creative Saplings
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