SANTOS SIMÕES AND THE AZULEJO IDENTITY IN PORTUGAL

ARTis ON Pub Date : 2018-12-30 DOI:10.37935/AION.V0I8.216
J. Monteiro
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Abstract

The present article focuses on the work of João Miguel dos Santos Simões (1907-1972), a researcher, historian, scholar and promoter of Portuguese azulejos and their use in Portugal, as well as the founder of the National Azulejo Museum. Santos Simões played a very important role in the identification both of the azulejo’s specific characteristics and of their use in Portugal. He was, in the 20th century, one of the most important promoters of the azulejo as a distinctly Portuguese art form. His main theoretical contribution concerns the recognition of the azulejo’s unique expression in Portugal — and, by extension, in Brazil. Its use gave rise to monumental decorations and helped shape the architecture in original ways. Apart from identifying the main characteristics of the use of azulejos in Portugal, Santos Simões also compared it to the situation in other countries, namely in Spain. Moreover, he studied the azulejo as a touristic phenomenon, a subject whose topicality warrants, according to the author of the present article, a detailed examination.
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桑托斯simÕes和葡萄牙的阿祖莱霍身份
本文的重点是jo o Miguel dos Santos Simões(1907-1972)的工作,他是葡萄牙Azulejo及其在葡萄牙使用的研究人员、历史学家、学者和推动者,也是国家Azulejo博物馆的创始人。Santos Simões在确定azulejo的具体特征及其在葡萄牙的用途方面发挥了非常重要的作用。在20世纪,他是azulejo作为一种独特的葡萄牙艺术形式的最重要的推动者之一。他的主要理论贡献是承认azulejo在葡萄牙的独特表达,进而延伸到巴西。它的使用产生了纪念性的装饰,并帮助以原始的方式塑造了建筑。除了确定azulejos在葡萄牙使用的主要特点外,Santos Simões还将其与其他国家的情况进行了比较,即西班牙。此外,他将azulejo作为一种旅游现象来研究,根据本文作者的说法,这一主题的话题性值得进行详细的研究。
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