Sustainable Interfaces for Music Expression

Igino Silva Junior, F. Schiavoni
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引用次数: 1

Abstract

The creation of Digital Musical Instruments (DMI) tries to keep abreast the technological progress and sometimes it does not worry about some possible side effects of its development. Obsolescence and residues, rampant consumption, constant need to generate innovation, code ephemerality, culture shock, social apartheid, are some possible traps that an equivocated DMI development can bring up to society. Faced all these possibilities, we are trying to understand what can be a sustainable Digital Instrument analyzing several dimensions of sustainability, from economical to cultural, from social to environmental. In this paper, we point out some possibilities to try to reach up more sustainable instruments development bringing up the human being and values like cooperation and collaboration to the center of the DMI development discussion. Through some questions, we seek to instigate a paradigm shift in art-science and provide a fertile field for future research.
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可持续的音乐表达界面
数字乐器(DMI)的创造试图跟上技术进步,有时它不担心其发展可能产生的一些副作用。过时和残余物、猖獗的消费、不断产生创新的需求、代码的短暂性、文化冲击、社会隔离,这些都是模糊的DMI发展可能给社会带来的一些陷阱。面对所有这些可能性,我们试图理解什么是可持续的数字工具,分析可持续性的几个维度,从经济到文化,从社会到环境。在本文中,我们指出了努力实现更可持续的工具发展的一些可能性,将合作和协作等人的价值观置于DMI发展讨论的中心。通过一些问题,我们试图激发艺术科学的范式转变,为未来的研究提供一个肥沃的领域。
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