Charism in the Cornerstone: Dominican Women and Sacred Space in the Twentieth-Century Midwest

Christopher M. B. Allison
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Abstract

Abstract:In the twentieth century, Dominican sisters in the United States embarked on ambitious architectural projects. In the process they sought to inscribe their charism into the fabric of their ministry and community life. Significant among these architectural projects are the 1922 construction of Rosary College in River Forest, Illinois; the 1964 building of the Queen of the Rosary Chapel at Sinsinawa Mound, Wisconsin; and in the 1980s, the Dominican-led work of INAI, an architectural design and art studio that planned modernist renovations of Dominican motherhouse chapels in Great Bend, Kansas, and Grand Rapids, Michigan. In the latter case, a dialogue with architects around the ideas of Environment and Art in Catholic Worship (1977) helped the congregation embrace new directions in worship. These case studies reveal the intentional ways Dominicans sought to preach with their spaces and return to the core of their charism. The intentionality of these spaces is consistent across the projects, sometimes remarkably so, compared to many twentieth-century American architectural projects, and served the historic mission of Dominican women in the United States.
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基石中的神恩:二十世纪中西部的多明尼加妇女与神圣空间
摘要:20世纪,美国的多米尼加修女们开始了雄心勃勃的建筑项目。在这个过程中,他们试图将自己的魅力融入到他们的事工和社区生活中。在这些建筑项目中,重要的是1922年在伊利诺伊州河森林建造的玫瑰学院;1964年威斯康星州辛西纳瓦丘的玫瑰皇后礼拜堂(Queen of the Rosary Chapel);在20世纪80年代,多米尼加人领导的INAI工作,一个建筑设计和艺术工作室,计划对堪萨斯州大本德和密歇根州大急流城的多米尼加母院教堂进行现代主义改造。在后一种情况下,与建筑师围绕天主教礼拜的环境和艺术理念(1977年)进行对话,帮助会众接受新的礼拜方向。这些案例研究揭示了道明会寻求用他们的空间传教的有意方式,并回归到他们魅力的核心。与许多20世纪的美国建筑项目相比,这些空间的意图在整个项目中是一致的,有时是非常一致的,并且服务于多米尼加妇女在美国的历史使命。
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