El paisaje del país o la expansión de lo pictórico en el trabajo de Juan Castillo

Martha E. Méndez
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Abstract

The following text seeks to explore the various ways in which the landscape, as a genre, can be rethought in order to approach the works of contemporary Chilean artist Juan Castillo, particularly, those called by the artist himself as occupations. Since the late seventies and through all his career, Castillo has insisted in realizing different operations in diverse and extreme geographies, which in each version reactivate the relationship between art and nature, as well as between art and territory. Based on some experiences, as the project titled Your face is the landscape or the one named, Rites of passage, this paper explores, on the one hand, problems which originate in the emergence of landscape as a pictorial discipline in order to raise the validity of this category, and also, on the other hand, to propose a reading of these operations as belonging to a broader field of painting.
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这个国家的风景或胡安·卡斯蒂略作品中绘画的扩展
下面的文章试图探索风景作为一种流派,可以重新思考的各种方式,以便接近当代智利艺术家Juan Castillo的作品,特别是那些被艺术家自己称为职业的作品。自70年代末以来,在他的整个职业生涯中,卡斯蒂略坚持在不同和极端的地理位置上实现不同的操作,在每个版本中重新激活艺术与自然以及艺术与领土之间的关系。基于一些经验,如题为“你的脸是风景”的项目或名为“通过的仪式”的项目,本文一方面探讨了风景作为一门绘画学科出现时产生的问题,以提高这一类别的有效性,另一方面,提出了对这些操作的解读,属于更广泛的绘画领域。
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Presentación Transparencia y opacidad: Los jardines de la ciudad propia: Palabras finales El paisaje del país o la expansión de lo pictórico en el trabajo de Juan Castillo
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