Don’t ask the french

P. Garnier
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Abstract

This is a personal account by someone who witnessed firsthand, and himself had a hand in, John Fante's extraordinary popularity in France in the late 1980s. Before being rediscovered by Charles Bukowski and Black Sparrow Press, Fante’s neglect in his own country for over forty years had a lot to do with French enthusiasm for his work. Identification with Fante's alter ego Bandini was instrumental as well, but a rather similar character (a struggling and starving young artist) in another, earlier, novel which had an undeniable influence on Ask the Dust—Knut Hamsun's Hunger—never stirred as big an emotional response with the French, possibly because Hamsun was extremely well-known not only in his own country but also everywhere else in Europe. The French never like success, but instead love to embrace artists they perceive, rightly or wrongly, as maudits—doomed to oblivion at home.
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别问法国人
这是一个亲身见证约翰·凡特在20世纪80年代末在法国大受欢迎的人的个人描述,他本人也参与了其中。在被查尔斯·布可夫斯基和黑麻雀出版社重新发现之前,凡特在自己的国家被忽视了四十多年,这与法国人对他的作品的热情有很大关系。对凡特的另一个自我班迪尼的认同也很有帮助,但在另一部更早的小说中,一个相当相似的角色(一个挣扎和饥饿的年轻艺术家)——克努特·哈姆生的饥饿——对《问尘埃》产生了不可否认的影响——从来没有引起法国人的强烈情感反应,可能是因为哈姆生不仅在自己的国家,而且在欧洲其他地方都非常有名。法国人从不喜欢成功,相反,他们喜欢那些在他们看来(无论对错)注定要在国内被遗忘的艺术家。
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