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John Fante's Ask the Dust最新文献

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Index 指数
Pub Date : 2020-12-31 DOI: 10.1515/9780823287888-025
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引用次数: 0
Acknowledgments 致谢
Pub Date : 2020-12-31 DOI: 10.1515/9780823287888-022
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引用次数: 0
Frontmatter
Pub Date : 2020-12-31 DOI: 10.1515/9780823287888-fm
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引用次数: 0
Ask the Lyrics: 问歌词:
Pub Date : 2020-04-07 DOI: 10.2307/j.ctv102bj6q.9
C. Mazzucchelli
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引用次数: 0
Where spirituality ebbs and flows: religion and diasporic alienation in ask the dust 精神在哪里潮起潮落:宗教和散居的异化在问尘埃
Pub Date : 2020-04-07 DOI: 10.1515/9780823287888-003
S. Roszak
In recent scholarship on the work of John Fante, issues of spirituality and the sacred have not been a popular emphasis. Yet in Ask the Dust spirituality is intrinsically tied to representations of the Italian diasporic experience in the United States, including social alienation and selective accommodation, two key concepts in diaspora theory. Despite his self-professed Americanism, Fante’s protagonist Arturo Bandini faces alienation by members of Los Angeles’s white majority, and he hesitates to adopt entirely the social mores of this culture into which he has thrust himself. The ensuing ebb and flow of his spirituality becomes a barometer of both of these experiences. Bandini’s skepticism about organized religion and even the existence of God marks his attempts to shake off his Italian cultural inheritance and accommodate the norms of secular, consumerist America. At the same time, he exhibits almost violent bursts of investment and pride in Catholic doctrine and culture that indicate the depth of his alienation in 1930s Los Angeles. Tracing this ebb and flow of investment in the sacred allows us to reach a more nuanced understanding of both the novel and the Italian diasporic experience in the United States.
在最近关于约翰·凡特作品的学术研究中,灵性和神圣的问题并没有得到普遍的重视。然而,在《问尘》中,精神本质上与意大利侨民在美国的经历联系在一起,包括社会异化和选择性住宿,这是侨民理论中的两个关键概念。尽管自称是美国人,但凡特的主人公阿图罗·班迪尼(Arturo Bandini)面临着洛杉矶白人多数成员的疏远,他犹豫是否要完全接受这种文化的社会习俗,而他已经把自己推入了这种文化。随后他精神上的起起伏伏成为这两种经历的晴雨表。班迪尼对有组织的宗教甚至上帝的存在持怀疑态度,这标志着他试图摆脱意大利文化遗产,适应世俗的消费主义美国的规范。与此同时,他对天主教教义和文化的投入和自豪感几乎是猛烈的爆发,这表明他在20世纪30年代洛杉矶的异化程度。追溯这种对神圣的投资的起起伏伏,让我们对这部小说和意大利侨民在美国的经历有了更细致的理解。
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引用次数: 0
Goodbye, bunker hill 再见,邦克山
Pub Date : 2020-04-07 DOI: 10.2307/j.ctv102bj6q.22
J. Fante
Written soon after Ask the Dust appeared in late 1939, this little-known piece of non-fiction by John Fante appeared in the Los Angeles Times. In it, Fante reminisces about his early days in Los Angeles, those days in the early 1930s when he was young and broke and often hungry but filled with dreams of literary greatness. He presents a gallery of character sketches of the people he lived amidst, from the drunk who lived next door in Fante’s beloved Bunker Hill rooming house to the generous Japanese grocer at Grand Central Market. Filled with feeling for a lost time and cherished memories, this piece reveals a side of John Fante that will captivate readers who want to learn more about the author of Ask the Dust.
在《问尘》于1939年底出版后不久,约翰·凡特的这部鲜为人知的非虚构作品出现在《洛杉矶时报》上。在书中,凡特回忆了他早年在洛杉矶的日子,那是20世纪30年代初,他很年轻,身无分文,经常饥肠辘辘,但却充满了文学成就的梦想。他展示了一系列与他生活在一起的人的性格素描,从住在范特心爱的邦克山公寓隔壁的醉汉到大中央市场慷慨的日本杂货店老板。这篇文章充满了对逝去的时光的怀念和珍贵的回忆,揭示了约翰·凡特的一面,想要了解更多关于作者的读者将会着迷。
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引用次数: 0
INDEX 指数
Pub Date : 2020-04-07 DOI: 10.2307/j.ctv102bj6q.27
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引用次数: 0
Dancing with the dust: translating ask the dust to the stage 与尘共舞:翻译请尘上台
Pub Date : 2020-04-07 DOI: 10.1515/9780823287888-006
J’aime Morrison
This essay reconstructs the process of creating DUST, an original dance-theatre adaptation of John Fante’s novel Ask the Dust. The essay details the director’s work with student actors, faculty designers, and production team, and explores the methods used in the process of devising this adaptation. The performative relationship between movement and language, words and choreography, is emphasized throughout. Character analysis focusing on the tangled histories of Camilla and Arturo as outsiders suggests the persistence of loss that attends the experience of displacement caused by emigration, exile, and other such dislocations. The writing in the essay seeks to replicate the imaginative process of creating an embodied translation of this haunting novel.
本文重构了改编自约翰·凡特小说《问尘》的舞剧《尘》的创作过程。本文详细介绍了导演与学生演员、教师设计师和制作团队的合作,并探讨了在设计改编过程中使用的方法。动作和语言、文字和编舞之间的表演关系贯穿始终。对卡米拉和阿图罗作为局外人的错综复杂的历史进行的人物分析表明,移民、流放和其他类似的错位所导致的流离失所经历中,损失的持续存在。这篇文章的写作试图复制对这部令人难以忘怀的小说进行具象化翻译的想象过程。
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引用次数: 0
From the particular to the universal: Vittorini’s Italian adaptation of ask the dust 从特殊到普遍:维托里尼对《问尘》的意大利改编
Pub Date : 2020-04-07 DOI: 10.5422/FORDHAM/9780823287864.003.0002
Valerio Ferme
This essay investigates Vittorini’s translation of Fante’s Ask the Dust into Italian as Il cammino nella polvere and the reasons why Vittorini decided to translate the Italian-American author at a time (1941) when Fascism’s rhetoric was becoming increasingly anti-American. With the help of theories of intercultural translation, Ferme evinces the choices Vittorini made in translating Ask the Dust and his tendency to move away from particular emotions toward abstraction and universal values. Transforming Fante’s original into an Italian version marked by strategic omissions and full rewritings, Vittorini made the work a key part of his ‘grand’ project of using new ethnic American writers like Fante to exemplify the mondo offeso (injured world) of the 1930s and 1940s. Ferme’s analysis illuminates the impact that Fante’s work had on a generation of Italian writers fighting fascist censorship and repression.
本文考察了维托里尼将凡特的《问尘》翻译成意大利语为Il cammino nella polvere的原因,以及为什么维托里尼决定在法西斯主义的修辞日益反美的时候(1941年)翻译这位意大利裔美国作家。借助跨文化翻译理论,Ferme论证了维托里尼在翻译《问尘》时所做的选择,以及他从特定情感转向抽象和普遍价值的倾向。维托里尼将凡特的原著改编为意大利版本,并进行了战略性的删减和全面的重写,使这部作品成为他“宏大”计划的重要组成部分,他利用像凡特这样的美国新族裔作家来阐释20世纪30年代和40年代受伤的世界。费尔梅的分析阐明了凡特的作品对一代反抗法西斯审查和镇压的意大利作家的影响。
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引用次数: 0
From the Particular to the Universal: 从特殊到普遍:
Pub Date : 2020-04-07 DOI: 10.2307/j.ctv102bj6q.4
Valerio Ferme
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引用次数: 0
期刊
John Fante's Ask the Dust
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