{"title":"La métaphore dans le poème Océan de Victor Hugo","authors":"Bagas Anugrah Perdana, Myrna Laksman-Huntley","doi":"10.29037/digitalpress.43282","DOIUrl":null,"url":null,"abstract":"<p class=\"Abstract\">Victor Hugo is one of the romantic poets who has experience in <span style=\"font-size: 1rem;\">politics. He criticized the Second Empire and Napoleon III almost all </span><span style=\"font-size: 1rem;\">his life and his criticism became the cause of his exile. The third series </span><span style=\"font-size: 1rem;\">of La Légende des Sièclesis the last book of poetry published before the </span><span style=\"font-size: 1rem;\">death of Victor Hugo. Océan is an example of a poem in the third series </span><span style=\"font-size: 1rem;\">that presents a contradiction between small and large spaces, </span><span style=\"font-size: 1rem;\">restrictions and extensions. This article will link the meaning and </span><span style=\"font-size: 1rem;\">function of the metaphor and structure of the poem used by Victor </span><span style=\"font-size: 1rem;\">Hugo in the poem Océan with his personal life and historical context. </span><span style=\"font-size: 1rem;\">This study uses qualitative methods with techniques for the study of </span><span style=\"font-size: 1rem;\">literature. Through the analysis of the metaphorical function of Camp </span><span style=\"font-size: 1rem;\">(2003) and the poetic structure of Schmitt and Viala (1982), Océan </span><span style=\"font-size: 1rem;\">reflects Hugo as an innovative romantic poet who differs from the </span><span style=\"font-size: 1rem;\">rules of classicism and he has placed the ocean and humans in the </span><span style=\"font-size: 1rem;\">poem as representatives of Napoleon III specifically and the monarchy </span><span style=\"font-size: 1rem;\">in general and French society in those days. The metaphors are used </span><span style=\"font-size: 1rem;\">to describe the nature of the French government at that time.</span></p>","PeriodicalId":270635,"journal":{"name":"Digital Press Social Sciences and Humanities","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Digital Press Social Sciences and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29037/digitalpress.43282","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Victor Hugo is one of the romantic poets who has experience in politics. He criticized the Second Empire and Napoleon III almost all his life and his criticism became the cause of his exile. The third series of La Légende des Sièclesis the last book of poetry published before the death of Victor Hugo. Océan is an example of a poem in the third series that presents a contradiction between small and large spaces, restrictions and extensions. This article will link the meaning and function of the metaphor and structure of the poem used by Victor Hugo in the poem Océan with his personal life and historical context. This study uses qualitative methods with techniques for the study of literature. Through the analysis of the metaphorical function of Camp (2003) and the poetic structure of Schmitt and Viala (1982), Océan reflects Hugo as an innovative romantic poet who differs from the rules of classicism and he has placed the ocean and humans in the poem as representatives of Napoleon III specifically and the monarchy in general and French society in those days. The metaphors are used to describe the nature of the French government at that time.
维克多·雨果是一位有政治经验的浪漫主义诗人。他几乎一生都在批评第二帝国和拿破仑三世,他的批评成为他被流放的原因。《生命的轮回》第三系列是维克多·雨果死前出版的最后一本诗集。ocsaman是第三个系列中的一首诗,它表现了小空间与大空间、限制与扩展之间的矛盾。本文将把维克多·雨果在《奥克萨伊姆》这首诗中所使用的隐喻和诗歌结构的意义和功能与他的个人生活和历史背景联系起来。本研究采用文献研究的定性方法和技术。通过对Camp(2003)的隐喻功能和Schmitt and Viala(1982)的诗歌结构的分析,ocsaman反映了Hugo作为一个不同于古典主义规则的创新浪漫主义诗人,他将诗歌中的海洋和人类作为拿破仑三世的具体代表,以及君主政体和当时法国社会的代表。这些比喻是用来描述当时法国政府的性质。