{"title":"2. Der theoretische Weg zu den Einstellungen in der filmischen Erzählung","authors":"Uwe Christian Dech","doi":"10.14361/transcript.9783839417164.21","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":409628,"journal":{"name":"Der Weg in den Film","volume":"22 1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2011-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Der Weg in den Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/transcript.9783839417164.21","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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