Fish in Battle? Quintus of Smyrna and the Halieutica of Oppian

Emily Kneebone
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引用次数: 5

Abstract

If Walcott’s twentieth-century Omeros recasts the figures of the Trojan War as fishermen, Quintus of Smyrna’s Posthomerica features two battle-heroes compared in detail to fishermen spearing fish. Quintus has long been both loathed and admired for the similes of his fourteen-book epic – even critics far from effusive about this “schlechteste Dichter des Altertums”,1 often accord him some merit in his similes, which are certainly varied and prodigious.2 Yet all too often his similes are labelled inappropriate, or dismissed as hackneyed and derivative.3 This paper focuses on one of Quintus’ more unusual similes, that of Neoptolemus as a night-fisherman (Q.S. 7.569-575). Looking first at the importance of Neoptolemus as the son of Achilles, heir to his father’s greatness and newcomer to this war, the simile is then read through the lens of Oppian’s Halieutica, that
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战斗中的鱼?士麦拿的昆图斯和奥匹安的哈利乌提卡
如果说沃尔科特的《二十世纪的奥梅罗斯》将特洛伊战争中的人物重塑为渔夫,那么《后美国》中士麦那的昆塔斯则将两位战斗英雄的细节比作渔夫用长矛捕鱼。长期以来,昆图斯的十四部史诗中的比喻既令人厌恶,又令人钦佩——即使评论家们对这部《另类诗人》的比喻也远没有溢美之词,但我经常认为他的比喻有一些优点,这些比喻确实是多样而惊人的然而,他的比喻常常被认为是不恰当的,或者被认为是陈腐的和衍生的本文着重于昆图斯的一个更不寻常的比喻,即夜间渔夫的尼奥托勒摩斯(qs 7.569-575)。首先来看作为阿喀琉斯之子,继承他父亲的伟大和这场战争的新人,这个比喻的重要性,然后通过阿比安的哈利乌提卡的镜头来读,那
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Indices List of contributors Frontmatter Res Romanae: Cultural Politics in Quintus Smyrnaeus’ Posthomerica and Nonnus’ Dionysiaca From the Epics to the Second Sophistic, from Hecuba to Aethra, and finally from Troy to Athens: Defining the Position of Quintus Smyrnaeus in his Posthomerica
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