Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq’s La possibilité d’une île ..

Sabine Schönfellner
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引用次数: 1

Abstract

In Michel Houellebecq’s novel La possibilité d’une île (translated as The Possibility of an Island), the reader is confronted with a bleak future for humanity: the main characters are posthuman creatures who live in secluded compounds and seem incapable of understanding and feeling human emotions. The novel consists of two strands of narrative – the memoir of Daniel1, a comedian living at the beginning of the 21st century, and the commentaries by the clones Daniel24 and Daniel25, his successors in the distant future. Bearing in mind the context of Houellebecq’s work as well as the posthuman(ist) discourse, this novel should be understood neither as a straightforward prognosis about the future of human beings nor as an unambiguous evaluation of human cloning. A consideration of certain recurring topics in Houellebecq’s works and his stylistic characteristics highlights the specific scenario for the posthuman being developed by Houellebecq. Posthuman(ist) theories on the concept of the human being “after humanism”, at the beginning of the 21st century, and its possible future developments help to position the novel’s scenario within a wider theoretical context. In this article following, I discuss these contexts in order to analyse what could be called the nostalgic representation of emotions in this novel and the functions of writing and narrative connected to it.
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Posthuman怀旧?重新评估Michel houellebecq的《岛屿的可能性》中的人类情感。
在米歇尔·维勒贝克的小说《岛的可能性》中,读者面对的是一个黯淡的人类未来:主角们都是后人类生物,他们生活在偏僻的院落里,似乎无法理解和感受人类的情感。小说由两部分叙事组成:生活在21世纪初的喜剧演员丹尼尔1的回忆录,以及他在遥远未来的继任者丹尼尔24和丹尼尔25的评论。考虑到Houellebecq作品的背景以及后人类主义的话语,这部小说既不应该被理解为对人类未来的直接预测,也不应该被理解为对人类克隆的明确评价。通过对Houellebecq作品中反复出现的一些主题和他的风格特征的思考,凸显了Houellebecq正在发展的后人类的特定场景。21世纪初关于“后人文主义”人类概念的后人类主义理论及其未来可能的发展有助于将小说的情节置于更广阔的理论背景中。在接下来的文章中,我将讨论这些背景,以分析这部小说中所谓的情感怀旧表现,以及与之相关的写作和叙事功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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