Pub Date : 2017-12-31DOI: 10.14361/9783839437933-007
Nora Berning
{"title":"Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner’s Novel The Flamethrowers","authors":"Nora Berning","doi":"10.14361/9783839437933-007","DOIUrl":"https://doi.org/10.14361/9783839437933-007","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115411411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-013
Yulia Marfutova
{"title":"When the Author Is Not the Author of Passions J.J. Engel’s Herr Lorenz Stark and the Pathognomy of Style","authors":"Yulia Marfutova","doi":"10.14361/9783839437933-013","DOIUrl":"https://doi.org/10.14361/9783839437933-013","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"299 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123920484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-006
Ingeborg Jandl
{"title":"Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions","authors":"Ingeborg Jandl","doi":"10.14361/9783839437933-006","DOIUrl":"https://doi.org/10.14361/9783839437933-006","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128507980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-003
Vera Nünning
{"title":"The Affective Value of Fiction Presenting and Evoking Emotions","authors":"Vera Nünning","doi":"10.14361/9783839437933-003","DOIUrl":"https://doi.org/10.14361/9783839437933-003","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127260158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-012
E. Stelzer
{"title":"Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama","authors":"E. Stelzer","doi":"10.14361/9783839437933-012","DOIUrl":"https://doi.org/10.14361/9783839437933-012","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114963965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-011
Gudrun Tockner
Magic on the early modern English stage was a cause of strong feeling, from the disapproval of anti-theatrical writers, who found it doubly reprehensible that the sinful theatre would depict magic, to alleged outbreaks of panic among actors and audience alike when there were rumours of the devil himself appearing on stage during a magical scene. 1 But feelings play a role not only in the reception of plays: they are an integral part of dramatic action and theatrical performance. This paper will focus on the depiction of one particular kind of early modern magic, learned ritual magic involving the evocation of spirits, or in this case, devils. It will then situate it both within the early modern dramatic tradition of writing emotions into texts for the stage and within the wider discourses sur-rounding emotions at the time. At the core of the analysis are two plays centred entirely on characters who practice ritual magic: Christopher Marlowe’s Doctor Faustus (published first in 1604 and in a longer version, the so-called B-text, in 1616 but assumed to have been written around 1590) and Barnabe Barnes’s The Devil’s Charter , first published in 1607, and in particular the scenes in which the conjurers call up spirits and those centred on their final torment and death.
{"title":"“’Tis Magic, Magic that Hath Ravished Me” Passionate Conjuring in Doctor Faustus and The Devil’s Charter","authors":"Gudrun Tockner","doi":"10.14361/9783839437933-011","DOIUrl":"https://doi.org/10.14361/9783839437933-011","url":null,"abstract":"Magic on the early modern English stage was a cause of strong feeling, from the disapproval of anti-theatrical writers, who found it doubly reprehensible that the sinful theatre would depict magic, to alleged outbreaks of panic among actors and audience alike when there were rumours of the devil himself appearing on stage during a magical scene. 1 But feelings play a role not only in the reception of plays: they are an integral part of dramatic action and theatrical performance. This paper will focus on the depiction of one particular kind of early modern magic, learned ritual magic involving the evocation of spirits, or in this case, devils. It will then situate it both within the early modern dramatic tradition of writing emotions into texts for the stage and within the wider discourses sur-rounding emotions at the time. At the core of the analysis are two plays centred entirely on characters who practice ritual magic: Christopher Marlowe’s Doctor Faustus (published first in 1604 and in a longer version, the so-called B-text, in 1616 but assumed to have been written around 1590) and Barnabe Barnes’s The Devil’s Charter , first published in 1607, and in particular the scenes in which the conjurers call up spirits and those centred on their final torment and death.","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122661695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-014
P. Lyytikäinen
Reading how Edgar Allan Poe’s narrator-protagonist feels in the midst of the horrifying storyworld, the reader is affected. The emotion words and affective language in general have an impact on us and we react emotionally to his emotion, although the appropriate reaction is regulated by the context and the work as a whole. We all know from personal experience that the emotions of fictional characters or narrators as well as all the emotional contents of literary works affect us as readers. We presume that authors, when writing, not only present us with the factual or emotional realities of the fictional world but also endeavour to move us: they make us feel for, with or against the characters and, all in all, react emotionally to the world created by the text. This includes appreciating and enjoying the style and language through which the storyworld is presented to us. Interaction with the text also involves ways of reacting to the figure of the author that we feel in reading; all the choices made by the author create, in a sense, an emotional profile of the writer. All in all, the author writes to create an emotional response (which does not preclude other communicative intentions) and the reader reacts emotionally as well as intellectually. Affective communication proceeds from the choices of the author in writing to the emotional effects produced in readers, and presupposes a common lan-
{"title":"How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe’s “The Fall of the House of Usher”","authors":"P. Lyytikäinen","doi":"10.14361/9783839437933-014","DOIUrl":"https://doi.org/10.14361/9783839437933-014","url":null,"abstract":"Reading how Edgar Allan Poe’s narrator-protagonist feels in the midst of the horrifying storyworld, the reader is affected. The emotion words and affective language in general have an impact on us and we react emotionally to his emotion, although the appropriate reaction is regulated by the context and the work as a whole. We all know from personal experience that the emotions of fictional characters or narrators as well as all the emotional contents of literary works affect us as readers. We presume that authors, when writing, not only present us with the factual or emotional realities of the fictional world but also endeavour to move us: they make us feel for, with or against the characters and, all in all, react emotionally to the world created by the text. This includes appreciating and enjoying the style and language through which the storyworld is presented to us. Interaction with the text also involves ways of reacting to the figure of the author that we feel in reading; all the choices made by the author create, in a sense, an emotional profile of the writer. All in all, the author writes to create an emotional response (which does not preclude other communicative intentions) and the reader reacts emotionally as well as intellectually. Affective communication proceeds from the choices of the author in writing to the emotional effects produced in readers, and presupposes a common lan-","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126623947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-010
Silke Jandl
{"title":"The Intermediality of Emotion Representations of Emotionality and Fear in YouTube Vlogs and Beyond","authors":"Silke Jandl","doi":"10.14361/9783839437933-010","DOIUrl":"https://doi.org/10.14361/9783839437933-010","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123399582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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