Modeling of the Effects of Audio Reproduction Methods on the Sense of Presence in Audio-Visual Content

Masashi Obinata, K. Ozawa, Yuichiro Kinoshita
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Abstract

The sense of presence is crucial for evaluating audio-visual equipment. To clarify the effects of audio reproduction methods on the sense, two experiments were conducted under audio-only and audio-visual conditions. Twelve scenes were recorded with a high-definition video camera while their sounds were recorded using a dummy head. In the audio-only condition, the recorded audio signals were reproduced with headphones by five methods: binaural reproduction with and without the headphone transfer function calibration, binaural reproduction with the joint stereo coding, stereophonic reproduction in which head-related transfer functions from two loudspeakers to the both ears were convolved to the binaural signals, and diotic reproduction in which the left and right channel signals were superimposed. Twenty subjects evaluated each stimulus using a Likert scale. In the audio-visual condition, the same experiment was performed while video signals were reproduced with a 65-inch display. In the audio-only conditio...
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音频再现方式对视听内容存在感影响的建模
存在感是评价视听设备的关键。为了阐明音频再现方法对感官的影响,在纯音频和视听条件下进行了两个实验。用高清摄像机录制了12个场景,同时用假头录制了声音。在纯音频条件下,用耳机对录制的音频信号进行五种方法的重放:有耳机传递函数校准和没有耳机传递函数校准的双耳重放、联合立体声编码的双耳重放、将两个扬声器到双耳的头部相关传递函数卷积到双耳的立体声重放、将左右声道信号叠加的双声道重放。20名受试者使用李克特量表评估每种刺激。在视听条件下,进行相同的实验,并使用65英寸显示器再现视频信号。在只有音频的情况下…
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