{"title":"The Author, Art, and the Market: Rereading the History of Aesthetics","authors":"Sharon O'dair, M. Woodmansee","doi":"10.2307/3200730","DOIUrl":null,"url":null,"abstract":"Analyzing the rise of art in the 18th century, this treatise demonstrates how painting, sculpture and literature were not regarded as valuable art forms before the emergence of a new bourgeois culture. The author reveals how Romantic poets and philosophers invented art as we know it today.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1996-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"121","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Atlantic Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/3200730","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 121
Abstract
Analyzing the rise of art in the 18th century, this treatise demonstrates how painting, sculpture and literature were not regarded as valuable art forms before the emergence of a new bourgeois culture. The author reveals how Romantic poets and philosophers invented art as we know it today.
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