A man masquerading as a lesbian in Spain’s Golden Age fiction. A hermaphrodite’s encounters with the Spanish Inquisition. Debates about virility in the national literature of postrevolutionary Mexico. The work of contemporary artists Reinaldo Arenas, Severo Sarduy, and Maria Luisa Bemberg. The public persona of Pedro Zamora, former star of MTV’s The Real World . Despite an enduring queer presence in Hispanic literatures and cultures, most scholars have avoided the specter of sexual dissidence in the Spanish-speaking world. In Hispanisms and Homosexualities , editors Sylvia Molloy and Robert Irwin bring together a group of essays that advance Hispanic studies and gay and lesbian studies by calling into question what is meant by the words Hispanic and homosexual . The fourteen contributors to this volume not only offer queer readings of Spanish and Latin American texts and performances, they also undermine a univocal sense of homosexual identities and practices. Taking on formations of national identity and sexuality; the politics of visibility and outing; the intersections of race, sexuality, and imperial discourse; the status of transvestism and posing; and a postmodern aesthetic of camp and kitsch, these essays from both established and emerging scholars provide a more complex and nuanced view of related issues involving nationality, ethnicity, and sexuality in the Hispanic world. Hispanisms and Homosexualities offers the most sophisticated critical and theoretical work to date in Hispanic and queer studies. It will be an essential text for all those engaged with the complexities of ethnic, cultural, and sexual subjectivities. Contributors. Daniel Balderston, Emilie Bergmann, Israel Burshatin, Brad Epps, Mary S. Gossy, Robert Irwin, Agnes I. Lugo-Ortiz, Sylvia Molloy, Oscar Montero, Jose Esteban Munoz, Jose Quiroga, Ruben Rios Avila, B. Sifuentes Jauregui, Paul Julian Smith
在西班牙黄金时代的小说中，一个男人伪装成女同性恋。雌雄同体者与西班牙宗教裁判所的遭遇。革命后墨西哥民族文学中关于男子气概的争论。当代艺术家雷纳尔多·阿雷纳斯、塞韦罗·萨杜伊和玛丽亚·路易莎·本伯格的作品。佩德罗·萨莫拉的公众形象，MTV《真实世界》的前明星。尽管酷儿在西班牙文学和文化中一直存在，但大多数学者都避开了西班牙语世界中性异见的幽灵。在《西班牙语和同性恋》一书中，编辑西尔维娅·莫洛伊和罗伯特·欧文汇集了一组文章，通过质疑西班牙语和同性恋这两个词的含义，推进了西班牙语研究和同性恋研究。这本书的14位作者不仅提供了对西班牙和拉丁美洲文本和表演的奇怪解读，他们也破坏了同性恋身份和实践的单一意识。探讨民族认同和性取向的形成;政治的能见度和郊游;种族、性和帝国话语的交集;异装癖与装逼的地位;以及后现代的坎普和媚俗美学，这些来自知名和新兴学者的文章提供了一个更复杂和细致入微的观点，涉及西班牙世界的国籍、种族和性问题。《西班牙语和同性恋》提供了迄今为止西班牙语和酷儿研究中最复杂的批判性和理论性工作。对于所有研究种族、文化和性主体性的复杂问题的人来说，这本书都是必不可少的。Daniel Balderston, Emilie Bergmann, Israel Burshatin, Brad Epps, Mary S. Gossy, Robert Irwin, Agnes I. Lugo-Ortiz, Sylvia Molloy, Oscar Montero, Jose Esteban Munoz, Jose Quiroga, Ruben Rios Avila, B. Sifuentes Jauregui, Paul Julian Smith
{"title":"Hispanisms and Homosexualities","authors":"S. Molloy, R. Irwin","doi":"10.1215/9780822399957","DOIUrl":"https://doi.org/10.1215/9780822399957","url":null,"abstract":"A man masquerading as a lesbian in Spain’s Golden Age fiction. A hermaphrodite’s encounters with the Spanish Inquisition. Debates about virility in the national literature of postrevolutionary Mexico. The work of contemporary artists Reinaldo Arenas, Severo Sarduy, and Maria Luisa Bemberg. The public persona of Pedro Zamora, former star of MTV’s The Real World . Despite an enduring queer presence in Hispanic literatures and cultures, most scholars have avoided the specter of sexual dissidence in the Spanish-speaking world.\u0000\u0000In Hispanisms and Homosexualities , editors Sylvia Molloy and Robert Irwin bring together a group of essays that advance Hispanic studies and gay and lesbian studies by calling into question what is meant by the words Hispanic and homosexual . The fourteen contributors to this volume not only offer queer readings of Spanish and Latin American texts and performances, they also undermine a univocal sense of homosexual identities and practices. Taking on formations of national identity and sexuality; the politics of visibility and outing; the intersections of race, sexuality, and imperial discourse; the status of transvestism and posing; and a postmodern aesthetic of camp and kitsch, these essays from both established and emerging scholars provide a more complex and nuanced view of related issues involving nationality, ethnicity, and sexuality in the Hispanic world.\u0000\u0000Hispanisms and Homosexualities offers the most sophisticated critical and theoretical work to date in Hispanic and queer studies. It will be an essential text for all those engaged with the complexities of ethnic, cultural, and sexual subjectivities.\u0000\u0000Contributors. Daniel Balderston, Emilie Bergmann, Israel Burshatin, Brad Epps, Mary S. Gossy, Robert Irwin, Agnes I. Lugo-Ortiz, Sylvia Molloy, Oscar Montero, Jose Esteban Munoz, Jose Quiroga, Ruben Rios Avila, B. Sifuentes Jauregui, Paul Julian Smith","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134158505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Previous biographies of Willa Cather have either recycled the traditional view of a writer detached from social issues whose work supported a wholesome view of a vanished America, or they have focused solely on revelations about her private life. Challenging these narrow interpretations, Janis P. Stout presents a Cather whose life and quietly modernist work fully reflected the artistic and cultural tensions of her day.A product of the South--she was born in Virginia--Cather went west with her family at an early age, a participant in the aspirations of Manifest Destiny. Known for her celebrations of immigrants on the prairie, she in fact shared many of the ethnic suspicions of her contemporaries. Loved by a popular audience for her pieties of family and religion, she was in her youth a freethinker who resisted traditional patterns for women's lives, cutting her hair like a boy's and dressing in men's clothing. Seen by critics since the 1930s as a practitioner of an escapist formalism, she was, in Stout's view, profoundly ambivalent about most of the important questions she faced. Cather structured her writing to control her uncertainty and project a serenity she did not in fact feel.Cather has at times been viewed as a writer preoccupied with the past whose literary project had little to do with the intellectual currents of her time. On the contrary, Stout argues, Cather was a full participant in the doubts and conflicts of twentieth-century modernity. Only in recoil from her distress at these conflicts did she turn to overt celebrations of the past and construct a retiring, crotchety persona.The Cather that emerges from Stout's treatment is a modernist conservative in the mold of T. S. Eliot, though more responsive to her time and simultaneously less assured in her pronouncements. Cather's sexuality, too, is more complicated in Stout's version than previous biographers have allowed. Willa Cather: The Writer and Her World presents a woman and an artist who fully exemplifies the ambivalence, the foreboding, and above all the complexity that we associate with the twentieth-century mind.
之前的薇拉·凯瑟传记要么重复了传统的观点，认为她是一个脱离社会问题的作家，她的作品支持了对消失的美国的有益看法，要么只关注她私生活的揭露。Janis P. Stout挑战这些狭隘的解释，呈现了一个凯瑟的生活和安静的现代主义作品，充分反映了她那个时代的艺术和文化紧张局势。作为南方的产物——她出生在弗吉尼亚州——凯瑟在很小的时候就和家人一起去了西部，参与了“天定命运”的抱负。她以庆祝草原上的移民而闻名，事实上，她和她同时代的人一样有许多种族上的疑虑。她对家庭和宗教的虔诚受到大众的喜爱，她年轻时是一个自由思想者，反对传统的女性生活模式，把头发剪得像男孩一样，穿着男人的衣服。自20世纪30年代以来，她被评论家视为逃避现实的形式主义的实践者，在斯托特看来，她对自己面临的大多数重要问题都深感矛盾。凯瑟的写作结构是为了控制她的不确定性，并投射出一种她实际上并没有感受到的平静。凯瑟有时被认为是一个沉迷于过去的作家，他的文学项目与她那个时代的思想潮流几乎没有关系。相反，斯托特认为，凯瑟完全参与了20世纪现代性的质疑和冲突。只有当她从这些冲突的痛苦中退缩时，她才转向公开庆祝过去，并构建了一个隐退、古怪的角色。斯托特笔下的凯瑟是t·s·艾略特(T. S. Eliot)风格的现代主义保守主义者，尽管她对自己所处的时代更敏感，同时对自己的言论也不那么自信。在斯托特的版本中，凯瑟的性取向也比之前的传记作者所认为的要复杂得多。薇拉·凯瑟:《作家和她的世界》展现了一位女性和一位艺术家，她充分体现了我们与20世纪思想联系在一起的矛盾心理、预感，以及最重要的复杂性。
{"title":"Willa Cather: The Writer and Her World","authors":"S. Shively, J. Stout, W. Cather, A. Romines","doi":"10.2307/3201917","DOIUrl":"https://doi.org/10.2307/3201917","url":null,"abstract":"Previous biographies of Willa Cather have either recycled the traditional view of a writer detached from social issues whose work supported a wholesome view of a vanished America, or they have focused solely on revelations about her private life. Challenging these narrow interpretations, Janis P. Stout presents a Cather whose life and quietly modernist work fully reflected the artistic and cultural tensions of her day.A product of the South--she was born in Virginia--Cather went west with her family at an early age, a participant in the aspirations of Manifest Destiny. Known for her celebrations of immigrants on the prairie, she in fact shared many of the ethnic suspicions of her contemporaries. Loved by a popular audience for her pieties of family and religion, she was in her youth a freethinker who resisted traditional patterns for women's lives, cutting her hair like a boy's and dressing in men's clothing. Seen by critics since the 1930s as a practitioner of an escapist formalism, she was, in Stout's view, profoundly ambivalent about most of the important questions she faced. Cather structured her writing to control her uncertainty and project a serenity she did not in fact feel.Cather has at times been viewed as a writer preoccupied with the past whose literary project had little to do with the intellectual currents of her time. On the contrary, Stout argues, Cather was a full participant in the doubts and conflicts of twentieth-century modernity. Only in recoil from her distress at these conflicts did she turn to overt celebrations of the past and construct a retiring, crotchety persona.The Cather that emerges from Stout's treatment is a modernist conservative in the mold of T. S. Eliot, though more responsive to her time and simultaneously less assured in her pronouncements. Cather's sexuality, too, is more complicated in Stout's version than previous biographers have allowed. Willa Cather: The Writer and Her World presents a woman and an artist who fully exemplifies the ambivalence, the foreboding, and above all the complexity that we associate with the twentieth-century mind.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128419227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poeticized Language: The Foundations of Contemporary French Poetry","authors":"T. A. Cox, S. Winspur, Jean-Jacques Thomas","doi":"10.2307/3201879","DOIUrl":"https://doi.org/10.2307/3201879","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133706254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Challenge of Coleridge: Ethics and Interpretation in Romanticism and Modern Philosophy","authors":"T. Cooksey, D. Haney","doi":"10.2307/3202073","DOIUrl":"https://doi.org/10.2307/3202073","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2000-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121232008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Not until the eighteenth century was the image of the tender, full-time mother invented - an image that retains its power today. Inventing Maternity demonstrates that, despite its association with an increasingly standardized set of values, motherhood remained contested terrain. Drawing on feminist, cultural, and postcolonial theory, Inventing Maternity surveys a wide range of sources - medical texts, political tracts, religious writings, poems, novels, slave narratives, conduct books, and cookbooks. In her introduction, Greenfield provides a historical overview of early modern interpretations of maternity. She also considers their impact on current debates about reproductive rights and technologies, child custody, and the cycles of poverty.
{"title":"Inventing Maternity: Politics, Science, and Literature, 1650-1865","authors":"S. Greenfield, Carol L. Barash","doi":"10.2307/3201956","DOIUrl":"https://doi.org/10.2307/3201956","url":null,"abstract":"Not until the eighteenth century was the image of the tender, full-time mother invented - an image that retains its power today. Inventing Maternity demonstrates that, despite its association with an increasingly standardized set of values, motherhood remained contested terrain. Drawing on feminist, cultural, and postcolonial theory, Inventing Maternity surveys a wide range of sources - medical texts, political tracts, religious writings, poems, novels, slave narratives, conduct books, and cookbooks. In her introduction, Greenfield provides a historical overview of early modern interpretations of maternity. She also considers their impact on current debates about reproductive rights and technologies, child custody, and the cycles of poverty.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2000-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131724973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing the Flesh: The Herbert Family Dialogue","authors":"Sidney Gottlieb, J. Powers-Beck","doi":"10.2307/3201511","DOIUrl":"https://doi.org/10.2307/3201511","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1999-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126481296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Susan F. Beegel, Susan Shillinglaw, W. Tiffney, E. Steinbeck
{"title":"Steinbeck and the Environment: Interdisciplinary Approaches","authors":"Susan F. Beegel, Susan Shillinglaw, W. Tiffney, E. Steinbeck","doi":"10.2307/3200746","DOIUrl":"https://doi.org/10.2307/3200746","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"110 10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1998-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125881774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this reexamination of the allegorical dimensions of Paradise Lost, Catherine Martin presents Milton's poem as a prophecy foretelling the end of one culture and its replacement by another. She argues that rather than merely extending the allegorical tradition as defined by Augustine, Dante, and Spenser, Milton has written a meta-allegory that stages a confrontation with an allegorical formalism that is either dead or no longer philosophically viable. By both critiquing and recasting the traditional form, Milton describes the transition to a new epoch that promises the possibility of human redemption in history. Martin shows how Paradise Lost, written at the threshold of the enormous imaginative shift that accompanied the Protestant, scientific, and political revolutions of the seventeenth century, conforms to a prophetic baroque model of allegory similar to that outlined by Walter Benjamin. As she demonstrates, Milton's experimentation with baroque forms radically reformulates classical epic, medieval romance, and Spenserian allegory to allow for both a naturalistic, empirically responsible understanding of the universe and for an infinite and incomprehensible God. In this way, the resulting poetic world of Paradise Lost is like Milton's God, an allegorical "ruin" in which the divine is preserved but at the price of a loss of certainty. Also, as Martin suggests, the poem affirmatively anticipates modernity by placing the chief hope of human progress in the fully self-authored subject. Maintaining a dialogue with a critical tradition that extends from Johnson and Coleridge to the best contemporary Milton scholarship, Martin sets Paradise Lost in both the early modern and the postmodern worlds. Ruins of Allegory will greatly interest all Milton scholars, as well as students of literary criticism and early modern studies.
{"title":"The Ruins of Allegory: Paradise Lost and the Metamorphosis of Epic Convention","authors":"J. Powers-Beck, Catherine Martin","doi":"10.2307/3201555","DOIUrl":"https://doi.org/10.2307/3201555","url":null,"abstract":"In this reexamination of the allegorical dimensions of Paradise Lost, Catherine Martin presents Milton's poem as a prophecy foretelling the end of one culture and its replacement by another. She argues that rather than merely extending the allegorical tradition as defined by Augustine, Dante, and Spenser, Milton has written a meta-allegory that stages a confrontation with an allegorical formalism that is either dead or no longer philosophically viable. By both critiquing and recasting the traditional form, Milton describes the transition to a new epoch that promises the possibility of human redemption in history. Martin shows how Paradise Lost, written at the threshold of the enormous imaginative shift that accompanied the Protestant, scientific, and political revolutions of the seventeenth century, conforms to a prophetic baroque model of allegory similar to that outlined by Walter Benjamin. As she demonstrates, Milton's experimentation with baroque forms radically reformulates classical epic, medieval romance, and Spenserian allegory to allow for both a naturalistic, empirically responsible understanding of the universe and for an infinite and incomprehensible God. In this way, the resulting poetic world of Paradise Lost is like Milton's God, an allegorical \"ruin\" in which the divine is preserved but at the price of a loss of certainty. Also, as Martin suggests, the poem affirmatively anticipates modernity by placing the chief hope of human progress in the fully self-authored subject. Maintaining a dialogue with a critical tradition that extends from Johnson and Coleridge to the best contemporary Milton scholarship, Martin sets Paradise Lost in both the early modern and the postmodern worlds. Ruins of Allegory will greatly interest all Milton scholars, as well as students of literary criticism and early modern studies.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1998-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115635392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In seventeenth-century England the poet George Herbert became known as 'Divine Herbert', his poetry a model for those aspiring to the status of inspired Christian poet. This book explores the relationship between the poetry of George Herbert and the concept of divine inspiration rooted in devotional texts of the time. Clarke considers three very different treatises read and approved by Herbert: Savonarola's De Simplicitate Christianae Vitae, Juan de Valdes's The Hundred and Ten Considerations, and Francois de Sales's Introduction to the Devout Life. These authors all saw literary production as implicit in a theological argument about the workings of the Holy Spirit. Clarke goes on to offer a new reading of many of Herbert's poems, concluding that implanted in Herbert's poetry are many well-established codes which to a seventeenth-century readership signified divine inspiration.
{"title":"Theory and Theology in George Herbert's Poetry: 'Divinitie, and Poesie, Met'","authors":"J. Powers-Beck, E. Clarke","doi":"10.2307/3201289","DOIUrl":"https://doi.org/10.2307/3201289","url":null,"abstract":"In seventeenth-century England the poet George Herbert became known as 'Divine Herbert', his poetry a model for those aspiring to the status of inspired Christian poet. This book explores the relationship between the poetry of George Herbert and the concept of divine inspiration rooted in devotional texts of the time. Clarke considers three very different treatises read and approved by Herbert: Savonarola's De Simplicitate Christianae Vitae, Juan de Valdes's The Hundred and Ten Considerations, and Francois de Sales's Introduction to the Devout Life. These authors all saw literary production as implicit in a theological argument about the workings of the Holy Spirit. Clarke goes on to offer a new reading of many of Herbert's poems, concluding that implanted in Herbert's poetry are many well-established codes which to a seventeenth-century readership signified divine inspiration.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1997-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127080501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This collection of essays provides an overview of the novel form in contemporary France through analyses of works written since 1960. Emphasis is placed on individual authors who for the most part continue to contribute to French letters and whose place in the French literary scene is established.
{"title":"The contemporary novel in France","authors":"W. Thompson","doi":"10.2307/3201212","DOIUrl":"https://doi.org/10.2307/3201212","url":null,"abstract":"This collection of essays provides an overview of the novel form in contemporary France through analyses of works written since 1960. Emphasis is placed on individual authors who for the most part continue to contribute to French letters and whose place in the French literary scene is established.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1997-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132766996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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