Listening through a pandemic

David Cecchetto, Cameron MacDonald
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Abstract

What does it mean to listen through and to the pandemic? In intersecting sound studies with COVID-19 studies, this chapter provides an account of listening itself and its relationship to proximity and intimacy during lockdown. The chapter considers several sonic phenomena of the pandemic: the uncanny silence of an urban soundscape, played out against emptied city streets globally during several waves of the pandemic;the noise of the city rising in support of frontline workers, but also in protest against governments;and the lyrics of popular music from indie to hyperpop. By considering sounds and aurality as spaces of becoming, this chapter argues that the sounds of the pandemic offer different horizons for resilience, foregrounding also human flux and change. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.
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倾听大流行
倾听大流行意味着什么?本章将声音研究与COVID-19研究相结合,阐述了听力本身及其与封锁期间的接近和亲密关系。这一章考虑了疫情的几种声音现象:在几波疫情期间,全球城市空旷的街道上,城市音景出奇地寂静;城市的噪音在支持一线工人的同时也在抗议政府;从独立音乐到超级流行音乐的流行音乐歌词。通过将声音和听觉视为成为的空间,本章认为,大流行的声音为复原力提供了不同的视野,也为人类的流动和变化提供了前景。©2022选择和编辑事项,Irene Gammel和Jason Wang;个别章节,贡献者。
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