Creative Resilience and COVID-19最新文献

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“He's thinking about sex, I'm thinking about survival” “他在想性，我在想生存”

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-9

Breanne Fahs

Drawing from the author’s experiences as a psychotherapist during the pandemic, this essay highlights the ways that the COVID-19 pandemic lockdowns and quarantines exposed the fault lines of gendered labor and foregrounded women’s role in engaging in multiple forms of unpaid, often unseen labor. Specifically, the essay draws on brief descriptions of psychotherapy cases to discuss women’s sexual labor, domestic labor, and emotional labor during the pandemic and how women negotiated not only their own existential crises and workforce pressures, but also the highly gendered forms of labor within the home. Gendered labor permeated women’s experiences of the pandemic, saddling them with undue burdens and at times hobbling their aspirations for self-care, career advancement, and rest. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

根据作者在大流行期间作为心理治疗师的经历，本文强调了COVID-19大流行的封锁和隔离暴露了性别劳动的断层线，并突出了妇女在从事多种形式的无偿劳动(通常是看不见的劳动)中的作用。具体而言，本文通过对心理治疗案例的简要描述，讨论了大流行期间女性的性劳动、家务劳动和情感劳动，以及女性如何应对自身的生存危机和劳动力压力，以及家庭中高度性别化的劳动形式。性别劳动渗透到妇女的大流行经历中，使她们背上了不应有的负担，有时阻碍了她们对自我照顾、职业发展和休息的愿望。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

引用次数: 0

Killing swiftly 迅速杀死

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-8

G. Scarre

This essay discusses the increase in the sense of vulnerability that many older people felt with the onset of COVID-19, which reverses the sense of security in old age which has been developing over recent decades. Pascal Bruckner’s book A Brief Eternity: The Philosophy of Longevity takes, as its starting premise, the idea that since 1945 “life has ceased to be short, as ephemeral as a passing train.” This was originally published in French in 2019 but, in the short interval since then, has become a very dubious proposition. The essay explores how attitudes towards mortality are changing among the elderly as life during COVID-19 once again takes on something of the sense of fragility that it possessed through most of history. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

本文讨论了许多老年人在COVID-19爆发时感受到的脆弱感的增加，这扭转了近几十年来一直在发展的老年安全感。帕斯卡尔·布鲁克纳(Pascal Bruckner)的著作《短暂的永恒:长寿的哲学》(A Brief Eternity: The Philosophy of Longevity)的出发点是，自1945年以来，“生命不再短暂，不再像过路的火车那样短暂。”这本书最初是在2019年用法语出版的，但在那之后的很短时间内，它已经成为一个非常可疑的命题。本文探讨了随着COVID-19期间的生活再次呈现出历史上大部分时间都有的脆弱感，老年人对死亡的态度正在发生怎样的变化。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

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Rethinking the spaces of night-time sociability 重新思考夜间社交的空间

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-19

W. Straw

This essay explores how citizens re-imagine the experience of bar and club sociability in a post-pandemic world in relation to architecture, the organization of space, and leisure activity. The post-confinement future after COVID-19 affects the quality of being sociable while the effects of social and spatial isolation prompt different norms and rules of social interaction. The post-pandemic nightlife in cities needs to be re-evaluated in order to extend the spatial-temporal paradigm of sociability. Ultimately, the way we think about nightlife will change during the post-pandemic era, as the pandemic casts its long shadow. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

本文探讨了在大流行后的世界中，市民如何重新想象与建筑、空间组织和休闲活动相关的酒吧和俱乐部社交体验。新冠肺炎疫情后的禁闭期影响了社交质量，社会隔离和空间隔离的影响催生了不同的社交规范和规则。大流行后的城市夜生活需要重新评估，以扩展社交的时空范式。最终，我们对夜生活的看法将在大流行后时代发生变化，因为大流行投下了漫长的阴影。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

引用次数: 0

Going digital in a small city hub 在一个小城市中心走向数字化

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-15

K. Beeler, Stan Beeler

With the COVID-19 pandemic, the screen arts in the form of video production, Zoom recordings, and the posting of videos on YouTube and Facebook have become important tools to maintain community activities even while physical interaction is impossible. They provide a semblance of normalcy by facilitating a social “everydayness” in the face of dramatic disruption. While many essays in this volume focus on the impact of the pandemic in the large metropolis, this essay is concerned with the community life of the smaller city. More specifically, this essay addresses the value of screen culture in two key areas: the production and performance of community theater via Zoom;and the use of video technology and platforms for the recording and viewing of online canine sports. This essay argues that the shifting of face-to-face interaction to various forms of online and onscreen expression has created new ways of connecting performers and audiences while preserving a sense of “everydayness” during a time when in-person interaction is extremely limited. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

随着新冠疫情的扩散，视频制作、Zoom录制、在YouTube和Facebook上上传视频等屏幕艺术，在无法进行实际互动的情况下，成为维持社区活动的重要工具。面对巨大的混乱，它们通过促进社会的“日常生活”，提供了一种正常的表象。虽然本卷中的许多文章侧重于大流行病对大都市的影响，但这篇文章关注的是小城市的社区生活。更具体地说，本文讨论了屏幕文化在两个关键领域的价值:通过Zoom制作和表演社区戏剧;以及使用视频技术和平台来记录和观看在线狗运动。本文认为，面对面互动向各种形式的在线和屏幕表达的转变，创造了连接表演者和观众的新方式，同时在面对面互动极其有限的时代保留了一种“日常”感。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

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Coda Coda

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-22

J. M. Ryan

引用次数: 0

The end of Kino as we know it? 我们所知道的基诺的末日?

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-20

Claudia Kotte

Using the 2020 Berlinale as a starting point, this essay explores the impact of the COVID-19 pandemic on movie theaters (Kino) in Germany. The essay argues that given the meteoric rise of the streaming giants and their substantial impact on film production, narrative conventions, and reception, the long-term fate of Kino is anything but certain, prompting calls for state intervention and public funding of cinemas. The essay foregrounds specific shifts, including convergences, with cinemas and distributors in Germany moving their programming online as a way of reconnecting with their audience. Conversely, new online platforms have experimented with creating synergies between streaming and theatrical modes. Ultimately, the pandemic and post-pandemic eras are marked by accelerated cultural transitions, convergences, and adaptations. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

本文以2020年柏林电影节为起点，探讨了COVID-19大流行对德国电影院(Kino)的影响。这篇文章认为，鉴于流媒体巨头的迅速崛起及其对电影制作、叙事惯例和接受的重大影响，Kino的长期命运绝非确定，这促使人们呼吁国家干预和为电影院提供公共资金。这篇文章展望了具体的转变，包括融合，德国的电影院和分销商将他们的节目转移到网上，作为与观众重新建立联系的一种方式。相反，新的在线平台已经尝试在流媒体和戏剧模式之间创造协同效应。最终，大流行和大流行后时代的特点是文化加速转型、趋同和适应。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

引用次数: 0

Becoming Host 成为主持人

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-16

Simon G. Turner, Stuart J. Murray

This chapter addresses the uncanny effects of computer screen horror films during the pandemic by focusing on the British horror movie Host (2020), an independent 56-minute film directed by Rob Savage during the first wave of the COVID-19 pandemic. The horror genre typically enables a kind of identificatory catharsis while also providing its viewership with the comfort of knowingly indulging in fiction. And yet, Host unsettles this very comfort and conceit. This essay argues that Host’s originality—and its uncanny horror—owes less to its content than to its visual form. The film’s unrelenting and unbroken point of view via the Zoom interface frames the entire film through a medium become all too familiar during the pandemic. This familiarity almost guilelessly interpellates the viewer as a hapless participant in the murderous mayhem that unfolds both onscreen and, by extension, in a pandemic present marked by existential threat and mass death. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

本章以罗布·萨维奇在新冠肺炎第一波大流行期间执导的56分钟独立电影《宿主》(2020年)为重点，讲述了电脑屏幕恐怖电影在大流行期间的神奇效果。恐怖类型电影通常能让观众产生一种情感宣泄，同时也能让观众享受到沉浸在小说中的舒适感。然而，Host打破了这种舒适和自负。本文认为，《Host》的原创性——以及它那不可思议的恐怖——与其说归功于它的内容，不如说是归功于它的视觉形式。这部电影通过变焦界面的无情和不间断的视角，通过一种在大流行期间变得太熟悉的媒介框架了整部电影。这种熟悉感几乎毫无掩饰地将观众追问为银幕上以及以生存威胁和大规模死亡为标志的流行病中展开的杀戮混乱的不幸参与者。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

引用次数: 0

Listening through a pandemic 倾听大流行

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-5

David Cecchetto, Cameron MacDonald

What does it mean to listen through and to the pandemic? In intersecting sound studies with COVID-19 studies, this chapter provides an account of listening itself and its relationship to proximity and intimacy during lockdown. The chapter considers several sonic phenomena of the pandemic: the uncanny silence of an urban soundscape, played out against emptied city streets globally during several waves of the pandemic;the noise of the city rising in support of frontline workers, but also in protest against governments;and the lyrics of popular music from indie to hyperpop. By considering sounds and aurality as spaces of becoming, this chapter argues that the sounds of the pandemic offer different horizons for resilience, foregrounding also human flux and change. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

倾听大流行意味着什么?本章将声音研究与COVID-19研究相结合，阐述了听力本身及其与封锁期间的接近和亲密关系。这一章考虑了疫情的几种声音现象:在几波疫情期间，全球城市空旷的街道上，城市音景出奇地寂静;城市的噪音在支持一线工人的同时也在抗议政府;从独立音乐到超级流行音乐的流行音乐歌词。通过将声音和听觉视为成为的空间，本章认为，大流行的声音为复原力提供了不同的视野，也为人类的流动和变化提供了前景。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

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Sweden, COVID-19, and invisible immigrants 瑞典、COVID-19和隐形移民

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.4324/9781003213536-11

C. Christensen

In this chapter, international media coverage of Sweden’s infamous “light touch” COVID-19 strategy is connected to another subject that dominated coverage of Sweden: immigrants and immigration. For years, immigrants were framed—by both right-wing and supposedly “progressive” outlets—as the central issue facing Swedish society, and as a problem and threat. Stockholm has been the epicenter of the COVID-19 outbreak, and it is parts of the city with the highest percentage of residents with immigrant backgrounds that have been hit hardest. In other words, the very people vilified by the media when arriving as refugees are the ones now bearing the brunt of COVID-19. Coverage of this element of the impact of COVID-19 on Sweden has been striking by its absence. Ignoring this part of Sweden’s COVID-19 story erases the place of immigrants in Swedish society. This erasure, in turn, reinforces vague, stereotypical notions of Swedish social, economic, political, and ethnic homogeneity that makes real analysis impossible. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

在本章中，国际媒体对瑞典臭名昭著的“轻触式”COVID-19战略的报道与另一个主导瑞典报道的主题有关:移民和移民。多年来，移民一直被右翼和所谓的“进步”派认为是瑞典社会面临的核心问题，是一个问题和威胁。斯德哥尔摩一直是2019冠状病毒病爆发的中心，也是该市移民背景居民比例最高的地区受到的打击最严重。换句话说，那些在以难民身份抵达时被媒体诋毁的人，现在正是遭受新冠疫情冲击的人。关于COVID-19对瑞典影响的这一要素的报道因其缺失而引人注目。忽视瑞典COVID-19故事的这一部分，就会抹去移民在瑞典社会中的地位。这种抹去反过来又强化了瑞典社会、经济、政治和种族同质性的模糊、刻板观念，使真正的分析变得不可能。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

引用次数: 1

Playing with the city 与城市嬉戏

Creative Resilience and COVID-19

Pub Date : 2022-01-20 DOI: 10.2307/j.ctvr43mp9.12

Troy D. Glover

This chapter explores the use of leisure in navigating everyday life during the COVID-19 pandemic. It discusses how leisure-in-public—those activities that take place outside of the home in the view of others for eudaimonic (i.e., personal enrichment) and/or hedonic (i.e., pleasure) purposes—offer (1) expressions of resilience, hope, and creativity in response to a public health crisis, and (2) potential post-pandemic placemaking strategies to bolster social connectedness, combat social isolation, and improve community capacity. Public health restrictions during the pandemic, not surprisingly, constrained leisure-in-public by imposing physical distancing measures, stay-at-home orders, and amenity/event closures. Even so, people responded by going outdoors and exploring the public realm for leisure and local placemaking initiatives. These efforts, though sometimes undertaken in defiance of public health guidelines, resulted in physical activity that thickened the thin ties of community life and boosted the social fabric of neighborhoods in response to the imposing threats of social isolation, loneliness, and pandemic fatigue. This chapter explores these and other related developments during the pandemic to underscore the social relevance of leisure as a public health and placemaking strategy. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.

本章探讨了2019冠状病毒病大流行期间休闲在日常生活中的应用。它讨论了公共休闲——那些在他人看来为了追求幸福(即个人富裕)和/或享乐(即享乐)目的而在家庭之外进行的活动——如何提供(1)应对公共卫生危机的韧性、希望和创造力的表达，以及(2)潜在的大流行后场所营造策略，以加强社会联系，对抗社会孤立，提高社区能力。毫不奇怪，大流行期间的公共卫生限制措施通过实施保持身体距离措施、居家令和关闭便利设施/活动，限制了公共休闲活动。即便如此，人们还是走到户外，探索休闲的公共领域，并积极参与当地的活动。这些努力，尽管有时无视公共卫生指导方针，但结果是体育活动，加强了社区生活的薄弱联系，增强了社区的社会结构，以应对社会孤立、孤独和流行病疲劳的巨大威胁。本章探讨大流行期间的这些和其他相关发展，以强调休闲作为一项公共卫生和场所营造战略的社会意义。©2022选择和编辑事项，Irene Gammel和Jason Wang;个别章节，贡献者。

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