{"title":"Meter","authors":"Richard Cohn","doi":"10.1163/1574-9347_bnp_e802430","DOIUrl":null,"url":null,"abstract":"This chapter presents a sketch of an analytical model of musical meter, focused on sound rather than notation. A meter is defined as a set of pulses, and classified as an ordered set of adjacent pulse pairs, or minimal meters. The model encourages a view of meter as ever-changing and form-shaping. Metric change is defined as pulse substitution. Scripts of metric change are illustrated through analyses of brief passages of Schumann, Glass, and Ghanian dance-drumming. Hypermeter and quasi-meter (that is, non-isochronous or additive meter) are conceived as complementary ways to generalize meter.","PeriodicalId":177099,"journal":{"name":"The Oxford Handbook of Critical Concepts in Music Theory","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Critical Concepts in Music Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/1574-9347_bnp_e802430","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

This chapter presents a sketch of an analytical model of musical meter, focused on sound rather than notation. A meter is defined as a set of pulses, and classified as an ordered set of adjacent pulse pairs, or minimal meters. The model encourages a view of meter as ever-changing and form-shaping. Metric change is defined as pulse substitution. Scripts of metric change are illustrated through analyses of brief passages of Schumann, Glass, and Ghanian dance-drumming. Hypermeter and quasi-meter (that is, non-isochronous or additive meter) are conceived as complementary ways to generalize meter.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
这一章提出了一个乐谱的分析模型的草图,侧重于声音而不是符号。仪表被定义为一组脉冲,并被分类为相邻脉冲对的有序集合,或最小仪表。该模型鼓励了一种不断变化和形式塑造的米的观点。度量变化被定义为脉冲替换。通过对舒曼、格拉斯和加纳舞蹈鼓点的简短段落的分析,说明了韵律变化的脚本。超米和准米(即非等时或加性米)被认为是推广米的互补方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Key and Modulation Beneath Improvisation Meter Interval Pitch, Tone, and Note
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1