#aintnobodygottimeforthat: cultural appropriation, stylization and the social life of hashtag interjectionality

A. Fabricius
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Abstract

Th is paper will discuss a particular hashtag meme as one example of a potential new manifestation of interjectionality, engendered and fostered in the written online context of social media. Th e case derives from a video meme and hashtag from the United States which ‘went viral’ in 2012. We will ask to what extent hashtags might perform interjectional-type functions over and above their referential functions, thereby having links to other, more prototypically interjectional elements. Th e case will also be discussed from multiple sociolinguistic perspectives: as an example of the (indirect) signifying of ‘whiteness’ through ‘black’ discourse, as cultural appropriation in the context of potential policing of these racial divides in the United States, and as a case of performative stylization which highlights grammatical markers while simultaneously downplaying phonological markers of African American English. We will end by speculating as to the implications of the rise of (variant forms of) hashtags for processes of creative language use in the future.
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#没有人有时间:文化挪用、风格化和标签感叹词的社会生活
本文将讨论一个特定的标签梗,作为在社交媒体的书面在线环境中产生和培养的感叹词的潜在新表现形式的一个例子。该案件源于2012年在美国“走红”的一个视频梗和标签。我们将问,在多大程度上,hashtag可以在其引用函数之上执行感叹词类型的函数,从而链接到其他更典型的感叹词元素。该案例还将从多个社会语言学角度进行讨论:作为“白人”通过“黑人”话语的(间接)意义的一个例子,作为美国种族分歧潜在警务背景下的文化挪用,以及作为一个强调语法标记同时淡化非裔美国英语语音标记的行为风格化的例子。最后,我们将推测标签(各种形式)的兴起对未来创造性语言使用过程的影响。
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