Nonverbal Communication Through Visual Storytelling of Leaving Home Animated Films

Sabri Sabri, Vani Dias Adiprabowo
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Abstract

This study aims to describe visual storytelling in the animated film Leaving Home as a nonverbal communication medium that provides education to the audience. The power of nonverbal communication as a form of visual storytelling in the animated film Leaving Home is the researcher's motive to examine how a nonverbal animation can be interpreted universally. The nonverbal communication of the animated film Leaving Home embodies writing into moving images. An animator must have the ability to visual storytelling to make the imagination in telling stories (synopsis-text) into scripts (visual-written). An animator, also an animation film creator, must understand the rules of scriptwriting to communicate the message implied in his work. An excellent visual understanding will help an animator visualize the picture's language into an exciting story. The technique of conveying visual storytelling stories in animation sometimes finds obstacles in understanding the story due to improper use of visual language. This research uses qualitative methods to uncover the phenomenon of nonverbal communication through visual storytelling in the animated film Leaving Home to explain in more detail. The results showed that nonverbal communication is omnipresent, including nonverbal aspects of each communicative action. In the interactions seen in the story of the animated film Leaving Home, all its nonverbal channels come into play. This study also represents the imagination visualized in animated films as more hyperbolic. After conducting a study of nonverbal visual storytelling communication in the animated film Leaving Home, it can be concluded that films with animation techniques can be presented with visual storytelling packaged in an artistic visual language. So visual storytelling can be a literacy animation technique in conveying information and opening up opportunities for animation creators to communicate nonverbally to the audience.
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《离家》动画电影视觉叙事中的非语言交际
本研究旨在描述动画电影《离家》中的视觉叙事作为一种非语言沟通媒介,为观众提供教育。在动画电影《离家》中,非语言交流作为一种视觉叙事形式的力量是研究者研究非语言动画如何被普遍解释的动机。动画电影《离家》的非语言交流将文字体现为动态图像。动画师必须具备视觉叙事的能力,将讲述故事(摘要-文本)的想象力转化为脚本(视觉写作)。动画师,也是动画电影创作者,必须了解剧本编写规则,以传达他的作品中隐含的信息。优秀的视觉理解能力将帮助动画师将图片语言形象化,变成一个激动人心的故事。动画中视觉叙事故事的传达有时会因为视觉语言的使用不当而阻碍故事的理解。本研究采用定性方法,通过动画电影《离家》中的视觉叙事来揭示非语言交际现象,并对其进行更详细的解释。结果表明,非语言交际是无所不在的,包括每个交际行为的非语言方面。在动画电影《离家》故事中的互动中,所有非语言渠道都发挥了作用。该研究还表明,动画电影中的想象力更为夸张。通过对动画电影《离家》中非语言视觉叙事传播的研究,可以得出动画电影可以用艺术视觉语言包装的视觉叙事来呈现。因此,视觉叙事可以成为一种传达信息的识字动画技术,并为动画创作者提供了与观众进行非语言交流的机会。
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