The Franco-Maghrebi Movies: from the Margin to the Mainstream

Ramona Mielusel
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Abstract

To understand the evolution of Franco-Maghrebi movies from the margins of French culture to the mainstream1 (and a record of significant entries in the French box office),2 one has to look back at the cultural context of their development and the choice of genres that they made within contemporary French culture. Similar to the evolution of literature, the Franco-Maghrebi cinema viewed its being in the 1980s as a result of the Socialist government’s cultural incentives at the time.3 As a consequence of the demands of the young Beurs during their popular protest and social march for social equality and against racial
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佛朗哥-马格里布电影:从边缘到主流
要了解佛朗哥-马格里布电影从法国文化的边缘走向主流的演变(以及法国票房的重要记录),我们必须回顾一下它们发展的文化背景,以及它们在当代法国文化中对类型的选择。与文学的演变类似,佛朗哥-马格里布电影将其在20世纪80年代的存在视为当时社会主义政府文化激励的结果由于年轻的伯尔人在争取社会平等和反对种族歧视的群众抗议和社会游行中提出的要求
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