La anarquía y las facciones tienen múltiples cabezas. La alegoría de la Medusa y la Hidra en el lenguaje decimonónico rioplatense

F. Nanni
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Abstract

Similar to what occurred in the Iberian Peninsula with the assimilation of Napoleon Bonaparte as the multi-headed biblical monster, cultural manifestations in Río de la Plata during the first decades of the xix century adopted the use of ancient images —classical and Catholic— to bestow a delegitimizing figure upon the adversaries of this region. As a result of a merge between historiography and discourse analysis, this work seeks to scrutinize the use of classic language features in the political culture of Río de la Plata region at the beginning of the xix century through texts such as Metamorphosis, by the Roman poet Ovid, or General Estoria, by Alfonso X “the wise.” xix century publicists from Río de la Plata put into circulation the metaphor of anarchy and its factions in terms of a permanent regeneration of their heads, thus establishing a kind of political pedagogy where it was convenient to root out the opposing elements, emulating the heroic character of Perseus and Hercules in the ancient myths of Medusa and the Lernaean Hydra. An approach to this scarcely addressed subject is inserted in a corpus of works that try to observe the way in which social actors at Río de la Plata gave meaning and intelligibility to the changes that occurred in this region during the first decades of the XIX century.
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无政府状态和派系有多个领导人。19世纪里奥普拉斯语言中的美杜莎和九头蛇寓言
与伊比利亚半岛将拿破仑·波拿巴同化为多头圣经怪物的情况类似,在19世纪头几十年,Río de la Plata的文化表现形式采用了古代形象的使用-古典和天主教-赋予该地区的对手一个非合法性的人物。作为史学和话语分析结合的结果,本作品试图通过罗马诗人奥维德的《变形》或阿方索十世“智者”的《将军》等文本,审视19世纪初Río de la Plata地区政治文化中经典语言特征的使用。来自Río de la Plata的19世纪政论家将无政府状态及其派系的隐喻以头脑的永久再生的方式传播,从而建立了一种便于根除对立因素的政治教育学,模仿古代神话中美杜莎和勒奈九头蛇中的珀尔修斯和赫拉克勒斯的英雄人物。对这个几乎没有提及的主题的方法被插入到一个作品的语料库中,这些作品试图观察Río de la Plata的社会行动者为十九世纪头几十年发生在该地区的变化提供意义和可理解性的方式。
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