The Representation of Fantasy Comedy in Movie Posters Entitled Turning Red Using Semiotics Theory

Alifania Diah Anggraeni, Devi Hellystia
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Abstract

This research aims to identify the representation of fantasy comedy and explain the sign system to represent the fantasy comedy that is found in Turning Red movie posters. This research was descriptive qualitative because the result was discussed descriptively. The data of this research was the signifier and signifier, verbal signs represented by the text which consists of words, phrases, clauses, and sentences on the posters, and the non-verbal signs represented by the picture. Then, the color meaning of fantasy comedy in the Turning Red movie posters. From this research, we can understand the representation of fantasy comedy about the signifier and signified using Ferdinand de Saussure’s semiotics theory, and the analysis of verbal and non-verbal signs using Gillian Dyer’s theory in the movie posters. Then, the analysis of the color meaning using Sean Adams’ theory. The findings show that this research found 98 data which are presented in three points. The first is the signifier and signified with 28 data, the second is verbal signs with 14 data, and the non-verbal signs with 44 data. The third is the color meanings with 12 data in the Turning Red movie posters.
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用符号学理论研究电影海报中奇幻喜剧的表现——《变红》
本研究旨在识别奇幻喜剧的表征,并解释《变红》电影海报中奇幻喜剧的表征符号系统。这项研究是描述性定性的,因为结果是描述性的讨论。本研究的数据是能指和能指,以海报上的单词、短语、从句和句子组成的文本为代表的语言符号,以及以图片为代表的非语言符号。然后,幻想剧在《变红》电影海报中的色彩含义。通过本研究,我们可以用索绪尔的符号学理论来理解幻想喜剧对能指和所指的表征,用吉莉安·戴尔的理论来分析电影海报中的语言符号和非语言符号。然后,运用肖恩·亚当斯的理论对色彩意义进行分析。结果表明,本研究发现了98个数据,这些数据分为三点。第一种是能指和所指的28个数据,第二种是言语符号的14个数据,非言语符号的44个数据。三是《变红》电影海报中12个数据的颜色含义。
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