The Adaptation of Novel “Bumi Manusia” Into Theater Performance

Retno Dwimarwati
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Abstract

Novel Bumi Manusia (Earth of Mankind) written by Pramoedya Ananta Toer has received Magsaysay award and has been translated into several languages. This humanist novel is also adapted by Faiza Marzuki into theatre play script entitled “Nyai Ontosoroh”. Feminism issues are presented in the acts by showing the character of Nyai as a strong figure in the context of gender equalities. Her efforts in managing house, and the administration are not appreciated at all by the Dutch law. She does not even have the right to fight for her children. The adaptation process from the novel into a play script and a theatre performance can take place either intrinsically (physical form) or extrinsically (mental form) through creative process realized in theatre expression. The adaptation process’ Pavis can be conducted by: 1. Reposition the work from one genre to another; 2. Change the literature text into performance (dramaturgy); 3. Translate the text adjusted and loyal to the source text. The article is written based on the experience and practice in the creative process; the analysis of the novel into adaptation process in the play script (re-thinking) becomes a form of performance (dramaturgy). This article can be a model of creativity.
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小说《布米手稿》的戏剧改编
普拉姆迪亚·阿南塔·塔尔的小说《人类的地球》获得了麦格赛赛奖,并被翻译成多种语言。这部人文主义小说也被Faiza Marzuki改编成戏剧剧本,名为《Nyai Ontosoroh》。通过展现奈艾在性别平等背景下的强势形象,在剧中呈现了女权主义问题。她在管理房屋和行政方面的努力根本不受荷兰法律的赞赏。她甚至没有权利为她的孩子而战。从小说到剧本和戏剧演出的改编过程,既可以是内在的(物质形式),也可以是外在的(精神形式),通过戏剧表现的创作过程来实现。Pavis的适应过程可以通过:1。将作品从一种类型重新定位到另一种类型;2. 将文学文本转化为表演(戏剧);3.翻译文本调整和忠实于源文本。本文是根据创作过程中的体会和实践写成的;将小说分析成剧本改编过程中的剧本(重新思考)成为一种表演形式(戏剧学)。这篇文章可以成为创造力的典范。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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