Il lungo Cinquecento nelle volte dell’aristocrazia Giovanni Andrea dell’Anguillara al servizio di un Perseo ‘genovese’

F. Casamassima
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Abstract

This contribution aims to analyse a cycle of frescoes at villa Spinola di San Pietro in Genoa. The paintings are attributed to some of the greatest artists who worked in the city in the 1620s and show a continuity of compositional, stylistic and thematic features that were typical of the sixteenth century. This article will also show the importance of Giovanni Andrea dell’Anguillara’s vernacular translation of the Metamorphoses by Ovid to the iconographic programme of the cycle.
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在贵族乔凡尼·安德里亚·安圭拉(Giovanni Andrea anguillara)为珀尔修斯·“热那亚”(genovise)服务的时候,这段长达500年的历史
这项贡献旨在分析热那亚别墅Spinola di San Pietro的壁画周期。这些画作被认为是1620年代在这座城市工作的一些最伟大的艺术家的作品,呈现出16世纪典型的构图、风格和主题特征的连续性。本文还将展示乔瓦尼安德里亚德尔安圭拉的白话翻译奥维德的《变形记》对循环的图像程序的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Altersstil novecentesco di Ettore Tito «Chi si aspetterebbe un Pordenone a Gallipoli?» Architettura e frammentismo, o lo stile tardo di Giuliano da Sangallo «Signori, la festa è finita». Le ‘ultime’ opere di Maurizio Cattelan tra continuità e citazione Il lungo Cinquecento nelle volte dell’aristocrazia Giovanni Andrea dell’Anguillara al servizio di un Perseo ‘genovese’
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