“There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue

Polina Poberezkina
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Abstract

The tragedy Prologue written in 1960s is analyzed in the broad context of the history of its creation, Anna Akhmatova’s biographical myth and world culture. The article mentions the problems of academic publication of the text and presents materials for scientific commentary on it. The incompleteness of the play is viewed in connection with its heterogeneous character combining lyrics, drama and epos, verses and prose, tragic and comic, ancient and modern, East and West, national and global, culture and everyday life, written and oral styles.
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“没有尽头”:安娜·阿赫玛托娃未完成的悲剧序幕
本文从安娜·阿赫玛托娃的传记神话和世界文化的大背景下,分析了她创作于20世纪60年代的悲剧《序曲》。文章提出了文本学术出版中存在的问题,并提供了科学评论的材料。这部戏剧的不完整性体现在它的异质性特征上,它结合了歌词、戏剧和史诗、诗句和散文、悲剧和喜剧、古代和现代、东方和西方、民族和全球、文化和日常生活、书面和口头风格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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