Ismet Rebronja's “Bogovnik”

A. Popin
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Abstract

Ismet Rebronja (1942-2006) belongs to the corpus of Montenegrin, Serbian and Bosniak literature. One of the main thematic-motive dominants of the writer's poetics is a myth. This paper has dealt with the Slavic neomythologism in the poetry of Ismet Rebronja in the books of poems Gazilar (1978), Sreda i sreda kći (1983), Paganska krv (1986), and Keronika (1991). The mythopoetic image of Ismet Rebronja's world consists of people, gods, animals, and plants. The “heroes” of the poems are pagans - the Slavs, but also members of monotheism (Islam). The key parts of the mythopoetic world of Rebronja's man are the gods and lower deities. Apart from the gods known from the literature, in this pantheon, there are also those who are the author's creation. Mythical creatures and shadowy animals play an important role. The man of this world belongs primarily to an agrarian culture, so plants (grains, medicinal herbs, sacred trees) also occupy a privileged place. This space is constructed in the form of clean and unclean places, and some timelines are tabooed (days/parts of days). The image of the Slavic world sometimes starts with written sources, which the author takes often in a polemical way, especially when it comes to texts that present the Slavs as the wild other. Rebronja sings about a Slavic man placed in a large spacetime span, contemplating the formation of his identity and place within and between different civilized and barbaric people.
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Ismet Rebronja(1942-2006)属于黑山,塞尔维亚和波斯尼亚文学的语料库。作家诗学的主要主题动机之一是神话。本文在《Gazilar》(1978)、《Sreda i Sreda kći》(1983)、《Paganska krv》(1986)和《Keronika》(1991)等诗集中探讨了Ismet Rebronja诗歌中的斯拉夫新神话主义。Ismet Rebronja的神话世界由人、神、动物和植物组成。诗歌中的“英雄”是异教徒——斯拉夫人,但也是一神教(伊斯兰教)的成员。Rebronja的男人的神话世界的关键部分是神和低级神。除了文学中已知的诸神,在这个万神殿中,还有作者创造的诸神。神秘的生物和神秘的动物扮演着重要的角色。这个世界上的人主要属于农业文化,所以植物(谷物、草药、圣树)也占据了特权地位。这个空间以干净和不干净的地方的形式构建,一些时间线是禁忌的(天/天的一部分)。斯拉夫世界的形象有时是从书面资料开始的,作者经常以一种争论的方式来看待这些资料,特别是当涉及到将斯拉夫人呈现为野蛮的他者的文本时。Rebronja唱的是一个斯拉夫人被放置在一个大的时空跨度中,在不同的文明和野蛮人之间思考他的身份和地位的形成。
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