ON REPRESENTATIONS OF NATURE AND WOMEN IN CARIBBEAN LITERATURE

Midori Saito
{"title":"ON REPRESENTATIONS OF NATURE AND WOMEN IN CARIBBEAN LITERATURE","authors":"Midori Saito","doi":"10.15057/27039","DOIUrl":null,"url":null,"abstract":"The disaster that struck on 11 March, 2011 in Japan and its aftermath not only led to an irrevocable catastrophe but also highlighted the arrogance of humans in thinking that they are capable of controlling nature. It may be a far stretch to parallel what has happened at the Fukushima nuclear power plant to slavery, but these two events are equally the consequences of the workings of capitalism. Just as Fukushima is the result of Tokyo’s exploitation of the countryside for cheaper electricity, slavery was established to provide cheaper products. It can be said that the dichotomy between nature and civilization is necessitated by the workings of capitalism, as are gender and racial categories. The tragedy of Fukushima forces us to reconsider the relationship between nature and civilization, and between the periphery and the centre. In this context, a reading of Caribbean literature may suggest some solutions as its offers important insights into the continuous exploitation of the periphery while unsettling the boundary between nature and civilization. The Caribbean landscape, known for its beautiful beaches and palm trees, is actually an artificial construct. Much of its vegetation is transplanted from elsewhere, just like its slaves, to actualize the planters’ dream of creating their Eden. The artificial creation of the Caribbean landscape suggests a flaw in the binary opposition of nature against civilization. Although the Western concept of nature, which portrays nature as something that can be controlled, influenced later generations of Caribbean thinkers and writers, some writers are aware of the shortcomings of this definition of nature when applied to the Caribbean landscape, and they have pondered how the idea of nature/origins has controlled people’s mentalities. In the West, there was a persistent belief that the lost Eden of the Old Testament still existed somewhere on Earth, and in the age of great adventure many competed to find that Eden, but to no avail. Instead, they resolved at last to create their own Eden in the New World:","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"78 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hitotsubashi journal of arts and sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15057/27039","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

The disaster that struck on 11 March, 2011 in Japan and its aftermath not only led to an irrevocable catastrophe but also highlighted the arrogance of humans in thinking that they are capable of controlling nature. It may be a far stretch to parallel what has happened at the Fukushima nuclear power plant to slavery, but these two events are equally the consequences of the workings of capitalism. Just as Fukushima is the result of Tokyo’s exploitation of the countryside for cheaper electricity, slavery was established to provide cheaper products. It can be said that the dichotomy between nature and civilization is necessitated by the workings of capitalism, as are gender and racial categories. The tragedy of Fukushima forces us to reconsider the relationship between nature and civilization, and between the periphery and the centre. In this context, a reading of Caribbean literature may suggest some solutions as its offers important insights into the continuous exploitation of the periphery while unsettling the boundary between nature and civilization. The Caribbean landscape, known for its beautiful beaches and palm trees, is actually an artificial construct. Much of its vegetation is transplanted from elsewhere, just like its slaves, to actualize the planters’ dream of creating their Eden. The artificial creation of the Caribbean landscape suggests a flaw in the binary opposition of nature against civilization. Although the Western concept of nature, which portrays nature as something that can be controlled, influenced later generations of Caribbean thinkers and writers, some writers are aware of the shortcomings of this definition of nature when applied to the Caribbean landscape, and they have pondered how the idea of nature/origins has controlled people’s mentalities. In the West, there was a persistent belief that the lost Eden of the Old Testament still existed somewhere on Earth, and in the age of great adventure many competed to find that Eden, but to no avail. Instead, they resolved at last to create their own Eden in the New World:
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
关于加勒比文学中自然和妇女的表现
2011年3月11日发生在日本的灾难及其后果不仅导致了一场不可挽回的灾难,而且凸显了人类自认为有能力控制自然的傲慢。将福岛核电站发生的事情与奴隶制相提并论可能有些牵强,但这两件事同样是资本主义运作的后果。正如福岛是东京剥削农村廉价电力的结果一样,奴隶制的建立是为了提供更便宜的产品。可以说,自然和文明之间的二分法是资本主义运作所必需的,性别和种族分类也是如此。福岛的悲剧迫使我们重新思考自然与文明、边缘与中心之间的关系。在这种背景下,阅读加勒比文献可能会提出一些解决方案,因为它为不断开发周边地区提供了重要的见解,同时扰乱了自然与文明之间的界限。以美丽的海滩和棕榈树而闻名的加勒比海景观实际上是人工建造的。它的大部分植物都是从别处移植过来的,就像它的奴隶一样,以实现种植者创造他们的伊甸园的梦想。人为创造的加勒比海景观显示了自然与文明二元对立的缺陷。虽然西方的自然概念将自然描绘成可以控制的东西,影响了后来的加勒比思想家和作家,但一些作家意识到这种自然定义在适用于加勒比景观时的缺陷,他们思考自然/起源的概念如何控制了人们的心态。在西方,人们坚持认为,失落的《旧约》中的伊甸园仍然存在于地球上的某个地方,在大冒险时代,许多人竞相寻找那个伊甸园,但都无济于事。相反,他们最终决定在新大陆建立自己的伊甸园:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Translating 'Islam' into Japanese - Concerning the Japanese Version of the Qur'an and Its Translation Strategy Weber's Konzertstück op. 79, or Programming Piano Concertos in Early-nineteenth Century Concerts (The Birth of the Piano Concerto, Chapter 5) Von einem jungen Japaner: Toshio Morikawa - Thomas Mann Briefwechsel (1) The Transition of the Monk's Dance (Sŭngmu) from Ritual Dance to Folk Art in Modern Korea to 1945 WELCHEN EINFLUSS HAT DAS LERNEN FÜR DIE UNIVERSITÄREN AUFNAHMEPRÜFUNGEN IN JAPAN AUF DIE LERNENDEN
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1