Re-invention through Recycling: Tharanga Beraya

W. Tilakaratna
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Abstract

Sri Lanka is a country where the coconut plant (Cocos nuceifera) is of utmost importance to daily activities. However, while the coconut fruit is used in meals every day, the shell is usually discarded in modern times. This is a case study that aims to investigate the modern application of the usually discarded object, the coconut shell, within a musical instrument and the quality and feasibility of such a musical instrument. First, the importance of the coconut plant in Sri Lankan culture and daily life is to be discussed, through which, the historic application of coconut shells as a raw material to construct musical instruments is to be investigated. Leading on to question the modern use of coconut shells as such, a selected instrument, the tharanga beraya was then investigated. Finally, comparisons of this to the traditional percussion instrument, the thammattama, was considered. While this research is qualitative in nature, discussions and field observations were used as a primary source and the relevant texts and articles on matters were used as secondary sources of information. Audio-video techniques were used to document the relevant data. Conclusions and thoughts on the future for this instrument were brought out in the end.
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通过回收再造:Tharanga Beraya
斯里兰卡是一个椰子植物(Cocos nuceifera)对日常生活至关重要的国家。然而,虽然椰子果实每天都在进餐中使用,但在现代,它的壳通常被丢弃。这是一个案例研究,旨在调查通常被丢弃的物体椰子壳在乐器中的现代应用,以及这种乐器的质量和可行性。首先,讨论椰子植物在斯里兰卡文化和日常生活中的重要性,通过椰子壳作为原材料制造乐器的历史应用进行调查。接着,人们开始质疑椰子壳作为一种被选中的工具的现代用途,然后对tharangaberaya进行了调查。最后,将其与传统的打击乐进行了比较。虽然这项研究本质上是定性的,但讨论和实地观察被用作主要来源,有关事项的相关文本和文章被用作次要信息来源。使用视听技术记录有关数据。最后,对该仪器的发展进行了总结和展望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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