The Atlas and the Skyscraper: On Aby Warburg and Louis Sullivan

Davide Stimilli
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Abstract

J. L. Borges compared Orson Welles’s masterpiece Citizen Kane to a labyrinth without center, a building expanding horizontally with no limits in space, or synchronically with no limits in time. It may be tempting to compare Warburg’s atlas Mnemosyne to a building expanding with no limits vertically, or diachronically; but such a building has also a proper name, that of the Tower of Babel, or, if we were to translate it into a now common noun, a skyscraper. This type of building has its own Daedalus, the great North-American architect Louis Sullivan (1856 – 1924). My paper tells the story of the possible encounter between Warburg and the man who had arguably already invented the skyscraper by the time of Warburg’s American journey, and had already built enough to allow a prescient man such as Warburg to imagine what was to come — with the sky, literally, as the limit.
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阿特拉斯和摩天大楼:论艾比·沃伯格和路易斯·沙利文
j·l·博尔赫斯把奥逊·威尔斯的杰作《公民凯恩》比作一个没有中心的迷宫,一个没有空间限制的水平扩张的建筑,或者一个没有时间限制的同步扩张的建筑。人们很容易将华宝的《记忆》地图集比作一座没有垂直或时间限制的建筑;但这样的建筑也有一个合适的名字,那就是巴别塔,或者,如果我们把它翻译成一个现在常见的名词,摩天大楼。这种类型的建筑有自己的代达罗斯,伟大的北美建筑师路易斯·沙利文(1856 - 1924)。我的论文讲述了Warburg和一个人可能相遇的故事,这个人可以说在Warburg的美国之旅时已经发明了摩天大楼,并且已经建造了足够的摩天大楼,让像Warburg这样有先见之明的人想象到未来的事情——以天空为极限。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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