{"title":"Critical Discourse Analysis on Contemporary Indonesian Poetry from 1966-1998","authors":"Riefki Fajar Ganda Wiguna, Maxymilianus Soter Mite Kombong","doi":"10.24071/IJELS.V2I2.556.G469","DOIUrl":null,"url":null,"abstract":"The growth of Indonesian literary works began since the generation of Pujangga Baru brought literature to the surface. Many poets, novelists, and writers emerged, bringing about their works which remain popular in the present. This paper is a critical discourse analysis which aims to find the dominant ideology represented in the Contemporary Indonesian Poetry from the 1960s to the 1970s. The data were taken from Contemporary Indonesian Poetry translated by Harry Aveling (1975). There are 11 poems that were analyzed in this study. They are Sermon, Pickpockets Advice to His Mistress, and Prostitutes of Jakarta Unite! by W.S Rendra, Two Poems with One Title, Space, and Who Are You by Sapardi Djoko Damono, Between Us, Prayer and Image by Ajip Rosidi, and A Tale Before Sleep and Cold Unregistered by Gunawan Muhammad. By using the Seven Building Tasks proposed by James Paul Gee (2011), the researchers analyzed each poem based on the seven tasks. The result shows that the dominant ideologies in Contemporary Indonesian Poetry from the 1960s to the 1970s are in the matters of socialism and humanism. Socialism here covers the condition of social life at that time where there power abuse occurred from the powerful people towards the powerless ones. On the other hand, humanism merely covers the condition of human beings, especially Indonesians, at that time.Keywords: ideology, critical discourse analysis, seven building tasks, contemporaryIndonesian poetry.","PeriodicalId":406723,"journal":{"name":"Indonesian Journal of English Language Studies (IJELS)","volume":"98 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indonesian Journal of English Language Studies (IJELS)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24071/IJELS.V2I2.556.G469","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
The growth of Indonesian literary works began since the generation of Pujangga Baru brought literature to the surface. Many poets, novelists, and writers emerged, bringing about their works which remain popular in the present. This paper is a critical discourse analysis which aims to find the dominant ideology represented in the Contemporary Indonesian Poetry from the 1960s to the 1970s. The data were taken from Contemporary Indonesian Poetry translated by Harry Aveling (1975). There are 11 poems that were analyzed in this study. They are Sermon, Pickpockets Advice to His Mistress, and Prostitutes of Jakarta Unite! by W.S Rendra, Two Poems with One Title, Space, and Who Are You by Sapardi Djoko Damono, Between Us, Prayer and Image by Ajip Rosidi, and A Tale Before Sleep and Cold Unregistered by Gunawan Muhammad. By using the Seven Building Tasks proposed by James Paul Gee (2011), the researchers analyzed each poem based on the seven tasks. The result shows that the dominant ideologies in Contemporary Indonesian Poetry from the 1960s to the 1970s are in the matters of socialism and humanism. Socialism here covers the condition of social life at that time where there power abuse occurred from the powerful people towards the powerless ones. On the other hand, humanism merely covers the condition of human beings, especially Indonesians, at that time.Keywords: ideology, critical discourse analysis, seven building tasks, contemporaryIndonesian poetry.
印尼文学作品的成长始于Pujangga Baru一代将文学带到表面。出现了许多诗人、小说家和作家,他们的作品至今仍很受欢迎。本文是一项批判性话语分析,旨在找出20世纪60年代至70年代印尼当代诗歌中所代表的主导意识形态。数据取自Harry Aveling翻译的《当代印尼诗歌》(1975)。本研究共分析了11首诗歌。它们是布道,扒手给情妇的忠告,雅加达妓女联合起来!w·s·伦德拉的《空间》和《你是谁》,萨帕迪·德约科·达莫诺的《我们之间》,阿吉普·罗西迪的《祈祷与意象》,古纳万·穆罕默德的《睡前与寒冷的故事》。通过使用James Paul Gee(2011)提出的七个构建任务,研究人员根据七个任务分析了每首诗。结果表明,20世纪60年代至70年代印尼当代诗歌的主流意识形态是社会主义和人文主义。这里的社会主义涵盖了当时的社会生活状况,权力的滥用从有权力的人向无权力的人发生。另一方面,人文主义仅仅涵盖了当时人类,尤其是印尼人的状况。关键词:意识形态,批评话语分析,七大建构任务,当代印尼诗歌。