THE GENRE OF INSCRIPTION IN G. R. DERZHAVIN’S POETRY (VERSE ON THE DEATH OF A DOG)

M. Venditti
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Abstract

The article draws attention to the insuffi ciently studied genre of inscription of the 18th century. Important studies have been devoted to the small poetic forms of the epigram and the epitaph of the period, but the inscription, because of the vagueness of the exact genre defi nition, has not yet received due attention. The article offers a general preliminary outline of the data concerning this genre in the 18th century, and the analysis of certain inscriptions in the works by Derzhavin.
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格·r·德哈文诗歌中的题词体裁(关于狗之死的诗)
文章对18世纪铭文体裁研究不足的问题提出了关注。对这一时期的小诗形式的警句和墓志铭进行了重要的研究,但由于确切的体裁定义的模糊,铭文尚未得到应有的重视。本文对18世纪有关这一流派的资料作了一个大致的初步概述,并对德尔扎文作品中的某些铭文进行了分析。
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D. V. VENEVITINOV’S SONNET «TO THEE, OH PURE SPIRIT, THE SOURCE OF INSPIRATION…»: DATING, POETICS, SCHELLINGIAN PLOT MEMORY AND TEXT: N. N. BERBEROVA ON A. A. BLOK SOME THOUGHTS ON THE NOSE BY N. V. GOGOL AT THE GATES OF THE RUSSIAN HANDWRITTEN TRADITION OF MODERN TIMES THAT LEAVES ROGOZHIN?
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