The historical-biographical film: destinies and personalities

Dumitru Olărescu
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Abstract

The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of national historical-biographical film can be noticed in the late 1960s and early 1970s, when the filmmakers: Emil Loteanu (“Academician Tarasevici”), Andrei Buruiană (“Ştefan Neaga”), Vlad Druc (“Ion Creangă”) made their debut. Yet, the idea of biography especially predominates in the creation of Anatol Codru, who played a significant role in the affirmation stage of this kind of nonfiction film, bringing through his films, “Alexandru Plămădeală”, “Alexei Şciusev”, “Dimitrie Cantemir”,”Vasile Alecsandri” a new breath in the context of the films made before him. He imposed himself through a poetic-philosophical vision on the destinies and the creation of the personalities, who contributed to the spiritual prosperity of the nation.
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历史传记电影:命运与个性
民族电影史表明,非虚构传记电影的演变始于以杰出人物为主题的电影。这些照片被收录在电影杂志《苏维埃摩尔多瓦》和年鉴《照片中的生活》中。1961年,第一部历史传记电影《传奇旅长》——歌颂格里戈尔·科托夫斯基(导演a .利特文)的电影在“摩尔多瓦电影”工作室上映,随后还有其他一些关于时代英雄的电影:帕维尔·特卡琴科、埃琳娜·斯布、塔玛拉·克鲁索克,这些电影主要由一个明显的宣传角色主导。在20世纪60年代末和70年代初,可以注意到国家历史传记电影的一个新水平,当时的制片人:埃米尔·洛特亚努(“院士塔拉塞维奇”),安德烈·布鲁亚努(“Ştefan内加”),弗拉德·德鲁奇(“Ion creangei”)首次亮相。然而,传记思想在阿纳托尔·科德鲁的创作中尤其占据主导地位,他在这种非虚构电影的肯定阶段发挥了重要作用,通过他的电影,“亚历山大·普雷切尔·穆里切尔”,“阿列克谢Şciusev”,“迪米特里·坎特米尔”,“瓦西里·亚历山德里”在他之前的电影背景下带来了新的气息。他以诗学的眼光看待命运和人物的创造,为国家的精神繁荣做出了贡献。
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