6. ‘Extravagant’

Chris Wixson
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Abstract

‘Extravagant’ discusses how George Bernard Shaw’s plays continue to experiment with dramatic structure and style as he recovers his optimism in social progress amid the devastating effects of the Great War. As he pursued ‘extravagant’ flexibility in stage convention, Shaw was also stepping beyond the confines of his Fabian Socialism. The Apple Cart (1928), On the Rocks (1933), and Geneva (1936) were written at a time when Shaw seriously pondered the efficacy of enlightened authoritarian government in accelerating advancement of the species.
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“奢侈”讨论了乔治·萧伯纳的戏剧如何继续实验戏剧结构和风格,因为他在第一次世界大战的破坏性影响中恢复了对社会进步的乐观主义。当他在舞台惯例中追求“奢侈”的灵活性时,肖也超越了他的费边社会主义的界限。《苹果车》(1928)、《在岩石上》(1933)和《日内瓦》(1936)都是在萧伯纳认真思考开明的威权政府在加速物种进步方面的功效时创作的。
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