Los tocapus de Llullaillaco

Zea Books Pub Date : 1900-01-01 DOI:10.32873/unl.dc.zea.1210
B. Carbonell
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Abstract

In the Llullaillaco contexts, the tocapu and cumbi designs are repeated in significant textiles worn by the sacrificed children and on the miniatures worn by the figurines that make up the offerings. Both the anthropomorphic metal miniatures (in gold and silver) and those of mullu (spondylus) are dressed with an uncu (tunic), yacolla (cloak) and llautu (headband). They carry a bag or chuspa with the same patterns as the clothes the children are wearing. Our understating of the meaning of tocapu is based on the descriptions of chroniclers. These descriptions are sometimes intimately linked to the idea of textiles, and at other times to the narrative of the designs, although we do not know yet a system that allows us to decipher its real meaning. Tocapu has been used radically differently in political, cultural and religious fields. They are defined by having a repetitive pattern sometimes, though not repetitive at other times, with abstract shapes composed of geometric figures and organized lines that represent a meaning. Tocapu is transhistorical, we can find it today in different regions linked to architecture, ritual symbols, to the Inca, and in later centuries influencing richly ornamental clothes and cloaks (for example, in the colonial period).
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Llullaillaco的tocapus
在尤拉亚科的背景下,tocapu和cumbi的设计在献祭儿童所穿的重要纺织品上和组成祭品的小雕像所穿的微缩模型上重复出现。无论是拟人的金属模型(黄金和白银),还是那些马鲁(脊椎骨),都穿着uncu(束腰外衣)、yacolla(斗篷)和lautu(头带)。他们带着一个和孩子们穿的衣服一样的图案的包或chuspa。我们对tocapu意义的理解是基于编年史家的描述。这些描述有时与纺织品的概念密切相关,有时与设计的叙述有关,尽管我们还不知道一个能让我们破译其真正含义的系统。Tocapu在政治、文化和宗教领域的用法截然不同。它们的定义是有时具有重复的图案,但有时不重复,由几何图形和有组织的线条组成的抽象形状代表了一种意义。Tocapu是超越历史的,我们今天可以在不同的地区发现它与建筑,仪式符号,印加人有关,并在后来的几个世纪影响了丰富的装饰服装和斗篷(例如,在殖民时期)。
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