Interpretation of Transcendental Meaning Related to the Symbol "Idol" in the Creation of Alisher Navai

Alisher Razzoqov
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Abstract

In this article, the number of meanings of the term “idol” as a transcendental symbol in Alisher Navoi's poetry are studied. Originally, the usage of this word in Alisher Navoi's work in its primary meaning, that is to say, in its own sense, examined on the example of fragments and verses in epics and lyrical works. Then, its artistic expression of meanings such as the manifestation of the qualities of self, concupiscence and the true love of holiness as a special mystical expressions are analyzed. In order to reveal fully the essence of symbol and symbols such as lover, scholar, shaikh, zunnar, Ka’ba, wine, ascetic used in parallel with it. In order to explain the meanings of Sufism in a broader way applied for Alisher Navai’s own definitions, as well as ancient sources on the theory of Sufism, special dictionaries of Sayyid Ja’far Sajjadi, Sayyid Sadiq Guharin, Sulayman Uludag, and modern researches.
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阿利舍·纳瓦伊创作中与“偶像”符号相关的先验意义解读
本文对阿利舍尔·纳沃伊诗歌中作为先验象征的“偶像”一词的含义进行了研究。最初,这个词在阿利舍尔·纳沃伊作品中的用法,在其主要意义上,也就是说,在其自身的意义上,以史诗和抒情作品中的片段和诗句为例进行了检验。然后,分析了它作为一种特殊的神秘表达方式的自我品质的表现、情欲和对圣洁的真爱等意义的艺术表现。为了充分揭示象征的本质,象征如情人、学者、谢赫、祖纳尔、卡巴、酒、苦行僧等与之并列使用。为了以更广泛的方式解释苏菲主义的含义,适用于Alisher Navai自己的定义,以及关于苏菲主义理论的古代资料,Sayyid Ja 'far sajjjadi, Sayyid Sadiq Guharin, Sulayman Uludag的特殊词典,以及现代研究。
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