The broken record: How the music industry is making sense of uncertainty and change

Todd Green, Gary Sinclair
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Abstract

As the recording music industry entered the digital era, significant turmoil emerged due to piracy and illegal downloading, and royalty payments to artists via streaming platforms. To date, the previous research examining the industry shift focused on consumer-based decisions such as whether to download music illegally, and, more recently, experiences with streaming services. Using sensemaking as our lens, we examine changes and challenges through in-depth interviews with music industry practitioners. The participants have been directly impacted by the digital shift in general and by specific issues such as piracy and poor compensation from streaming platforms. We develop a typology of industry members based on their development of sensemaking capabilities as they navigate the ever-changing industry and the resulting influence on market practices.

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破纪录:音乐产业如何理解不确定性和变化
随着唱片业进入数字时代,由于盗版和非法下载以及通过流媒体平台向艺术家支付版税,出现了严重的动荡。到目前为止,之前对行业转变的研究主要集中在基于消费者的决策上,比如是否非法下载音乐,以及最近的流媒体服务体验。通过对音乐行业从业者的深度访谈,我们以语义制作为视角,审视音乐行业的变化和挑战。总体而言,数字化转型以及诸如盗版和流媒体平台的低补偿等具体问题直接影响了参与者。我们根据行业成员在不断变化的行业中所发展的语义能力以及由此产生的对市场实践的影响,对他们进行了分类。
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来源期刊
CiteScore
3.40
自引率
13.60%
发文量
41
期刊介绍: The Canadian Journal of Administrative Sciences (CJAS) is a multidisciplinary, peer-reviewed, international quarterly that publishes manuscripts with a strong theoretical foundation. The journal welcomes literature reviews, quantitative and qualitative studies as well as conceptual pieces. CJAS is an ISI-listed journal that publishes papers in all key disciplines of business. CJAS is a particularly suitable home for manuscripts of a crossdisciplinary nature. All papers must state in an explicit and compelling way their unique contribution to advancing theory and/or practice in the administrative sciences.
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