Cultural Representation in Wole Soyinka’s The Lion and The Jewel

R. Showmya, R. Sinega
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Abstract

This article attempts to pinpoint the interaction of Cultural Representation in Wole Soyinka’s play The Lion and the Jewel. Culture can be perceived as a bunch of regular convictions that hold individuals together, these normal convictions lead to social practices, and practices that are instilled with significance. Culture is to incorporate every one of the aspects of human experience that stretch out past our actual truth, culture alludes how we comprehend ourselves both as people and as member of the society incorporates stories, religion, media, ceremonies, and even language.The Europeans colonization in African made many changes in their culture, some people thought that they are reformed by the European, but some thought that their culture was changed by them. The play sets in the village named Ilujinle in West Africa, and it has the characteristics like comedy, love, myth, folklore, dance, music, and cultural conflict between old culture and new culture, because the old culture was followed by uneducated people, they were led by Baroka and the new culture was followed by Lakunle, who works as a teacher in that village. Wole Soyinka presents the custom and traditions of Yoruba in the play The Lion and the Jewel and he created significant characters, who defends the modernity because they are deeply rooted with old custom and tradition of their culture.
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索因卡《狮子与宝石》的文化表现
本文试图找出索因卡戏剧《狮子与宝石》中文化表征的相互作用。文化可以被看作是一堆常规的信念,这些信念把个人团结在一起,这些常规的信念导致社会实践,而这些实践被灌输了重要的意义。文化包含了人类经验的方方面面,超越了我们的真实,文化暗示着我们如何理解自己,既是作为人又是作为社会的一员,文化包含了故事、宗教、媒体、仪式,甚至语言。欧洲人在非洲的殖民使他们的文化发生了许多变化,有些人认为他们是被欧洲人改革的,但有些人认为他们的文化是被他们改变的。该剧发生在西非一个叫Ilujinle的村庄,它具有喜剧、爱情、神话、民间传说、舞蹈、音乐等特点,以及新旧文化之间的文化冲突,因为旧文化是由没有受过教育的人追随的,他们由Baroka领导,新文化是由Lakunle领导的,他在那个村庄当老师。沃勒·索因卡在戏剧《狮子与宝石》中表现了约鲁巴人的习俗和传统,他塑造了一些重要的人物,他们捍卫着现代性,因为他们深深植根于他们文化的旧习俗和传统。
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